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Frieder Weissmann (1927) One of the first acoustic recordings by Dr Frieder Weissmann and members of the Berlin State Opera Orchhere credited as Deutsches Symphonie-Orchester Berlin master 2-6564 GER: Berlin, Carl Lindström AG, SO.33, Schlesische Straße 261923.11.19 MonPEER GYNT SUITE #1 (Edvard H. Grieg, op.46) (part 1)1: Morgenstemning 3: Anitra's DanceFrieder Weissmann (MD). — Berliner Symphonie-OrchesterGerman Parlophone issued in the US on Superb Laminated ODEON 12" 78 rpm record Condition:VERY GOOD PLUS, unworn but very rubbed few short scratches, plays w some swishy crackleThe house conductor: Frieder Weissmann b. 1893, Langen, Germany; d. 1984, Amsterdam, Holland Career 1920-1924: Conductor, Berlin State Opera 1920-1933: Active as recording conductor for Parlophon and Odéon labels in Berlin 1924-1925: Conductor, Münster Opera 1926-1927: Conductor, Königsberg Opera 1926-1930: Conducts Dresden Philharmonic Orchestra 1931-1933: Conducts Amsterdam Concertgebouw Orchestra 1932-1933: Conducts Berlin Philharmonic Orchestra 1933: Leaves Germany 1934-1937: Conducts at Teatro Colón, Buenos Aires 1937: Debut in America with Cincinnati Symphony Orchestra 1943-1950: Conductor, Scranton Philharmonic Orchestra 1950: Conductor, Havana Philharmonic Orchestra Weissmann graduated in law and music at Munich University, after which he studied composition and piano at the Music High School in Mannheim, as well as conducting with Max von Schillings in Berlin. He then held appointments at the opera houses in Frankfurt (1915-1916) and Stettin (1916-1917) before joining the Berlin State Opera as a conductor, working there from 1920 to 1924. During this period he began to conduct for the German Parlophon and Odéon record labels. He left his post at the Berlin State Opera in 1924 and moved first to the opera house in Münster (1924-1925), followed by that in Königsberg (1926-1927). From 1926 onwards Weissmann began to appear as a symphonic conductor, working with the Dresden Philharmonic Orchestra between 1926 and 1930 (during which period he married the distinguished soprano Meta Seinemeyer on her deathbed in 1929) and conducting the Berlin Symphony Orchestra in 1931, the Amsterdam Concertgebouw Orchestra between 1931 and 1933, and the Berlin Philharmonic Orchestra during the 1932-1933 season. Having left Germany for South America in 1933, Weissmann conducted at the Teatro Colón in Buenos Aires from 1934 to 1937, making his American debut in 1937 with the Cincinnati Symphony Orchestra, and going on to conduct in New York and San Francisco. He also returned to the world of sound recording with RCA Victor, an association which lasted until 1947. Between 1943 and 1950 he conducted the Scranton Philharmonic Orchestra, based in Pennsylvania, and from 1950 the Havana Philharmonic Orchestra. Weissmann continued to appear as a guest conductor well into old age, and is reputed to have conducted a cycle of the Mahler symphonies in Italy during the 1970s. A central figure in the German recording industry from 1920 to 1933, Weissmann was a completely reliable house conductor, for whom the recording process clearly held no terrors. In addition to directing the accompaniment for numerous operatic and vocal recordings, he also conducted many recordings of purely orchestra music. His repertoire was extremely wide, embracing operetta and light music as well as major symphonic works. Having recorded Beethoven's Symphony No. 9 with the Blüthner Orchestra in Berlin in 1923, in a cut and re-orchestrated version for the acoustic recording process, Weissmann successfully negotiated the move from acoustic to electrical recording in the mid 1920s; and with the orchestra of the Berlin State Opera, the Berlin Staatskapelle, he recorded Respighi's Le fontane di Roma and Tchaikovsky's Overture The Year 1812, amongst many other, mostly shorter, works. He accompanied the cellist Emanuel Feuermann in Max Bruch's Kol Nidrei, and the pianists Moritz Rosenthal and Karol Szreter in Chopin's Piano Concerto No. 1 and Beethoven's Piano Concerto No. 4 respectively. Weissmann's American recordings included operatic recordings with the soprano Zinka Milanov and the baritone Leonard Warren, and a viola concerto by Henri Casadesus originally attributed to Handel, with William Primrose taking the solo part. More Great Records on sale right now: CLICK ON THIS LINK TO SEE MORE GREAT RECORDS CLICK ON THIS LINK TO SEE ALL ITEMS - VINTAGE BOOKS, VICTROLA and TURNTABLE ITEMS, CDs, Books and DVDs http://shop.ebay.com/carsten_sf/m.html ==== A Quick NOTE ON GRADING AND SHIPPING: As you can see from my feedback, I try hard to earn your POSITIVE FEEDBACK and FIVE STAR RATINGS. If for any reason your transaction was NOT SATISFACTORY, pls contact me and I will work something out with you. YOU WILL NEVER HAVE A REASON TO GIVE ME A NEGATIVE RATING or a LOW STAR RATING. Quick note on grading: The Grade (Excellent to Poor, I don't give Mint) refers to the WEAR of the record. Any other defects are stated separately When I listen to a record, I may also give it an aural grade (again E to P), and make a SUBJECTIVE judgment of the pressing quality for hiss and surface noise."EXCEPTIONALLY QUIET" is close to noiseless, like a vinyl pressing."VERY QUIET" is an above average quiet record for a given pressing."Quiet" is a record that is a great example with some noise. These judgments are SUBJECTIVE and will depend one the styli, phonograph etc. you use on your own equipment. Multiple item shipping: I am happy to combine items for shipment in one parcel. Records will be packed safely between corrugated cardboard in a sturdy box with plenty of padding for safe shipment. Shipment is usually Media Mail, unless you request another service. Shipping is at your risk, I will be happy to insure items at your cost. I charge actual postage plus a small handling fee for packing materials As always, I guarantee your satisfaction. If you don't like the item, just return it, and I will refund the full purchase price. If you are in the San Francisco area, I welcome pick-up in person. I am very happy to ship records worldwide. Please use the EBAY shipping cost as a guideline. As always, I would appreciate any suggestions and corrections from you, pls contact me with any question. Thank you very much, and enjoy these great records!!! Powered by SixBit's eCommerce Solution
Price: 9.99 USD
Location: San Francisco, California
End Time: 2024-11-09T18:33:25.000Z
Shipping Cost: 7.49 USD
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Restocking Fee: No
Return shipping will be paid by: Buyer
All returns accepted: Returns Accepted
Item must be returned within: 30 Days
Refund will be given as: Money Back
Artist: CLICK RIGHT ARROW > FOR CONDITION, Frieder Weissmann
Format: Record
Material: Shellac
Type: Single
Genre: Classical
Record Label: Odeon Records
Record Size: 12"
Style: Allemande, Ballet, Cantata, Caprice, Ceremonial, Character Piece, Concerto, Educational, Elegy, Fanfare, Fantasia, Film Score/Soundtrack, France & Belgium, German music, Instrumental, Italian Music, Military Music, North American Music, Northern European music, Overture, Prelude, Rhapsody, Rondo, Russian Music, Serenade, Sinfonia, Swiss Music, Symphonic, Symphony, Western European Music
Speed: 78 RPM
Release Title: PEER GYNT SUITE 1: Morgenstemning 3: Anitra's Dance
Catalog Number: 85091
