8-CD Classical Lot Beethoven Stravinsky Brahms Schubert Mendelssohn Schumann

Description: Igor StravinskyStravinsky: The Firebird; Scherzo a la Russe; Fireworks Genre:ClassicalStylesOrchestralBallet L' oiseau de feu (The Firebird), ballet in 2 scenes for orchestra1IntroductionIgor StravinskyIgor Stravinsky 2Tableau 1. Le jardin enchanté de KastcheiIgor StravinskyIgor Stravinsky 3Tableau 1. Apparition de l'Oiseau de feu, poursuivi par Ivan TsarévitchIgor StravinskyIgor Stravinsky4Tableau 1. Danse de l'Oiseau de feu per Ivan TsarévitchIgor StravinskyIgor Stravinsky5Tableau 1. Capture de l'Oiseau de feu par Ivan TsarévitchIgor StravinskyIgor Stravinsky 6Tableau 1. Supplications de l'Oiseau de feuIgor StravinskyIgor Stravinsky7Tableau 1. Apparition des treize princesses enchantéesIgor StravinskyIgor Stravinsky8Tableau 1. Jeu des princesses avec les pommes d'or (Scherzo)Igor StravinskyIgor Stravinsky9Tableau 1. Brusque apparition d'Ivan TsarévitchIgor StravinskyIgor Stravinsky10Tableau 1. Corovod (Ronde) des princessesIgor StravinskyIgor Stravinsky11Tableau 1. Lever du jourIgor StravinskyIgor Stravinsky 12Tableau 1. Carillon féerique, apparition des monstres-gardiens de Kastchei et capture d'Ivan TsarévIgor StravinskyIgor Stravinsky 13Tableau 1. Arrivée de Kastchei l'immortelIgor StravinskyIgor Stravinsky14Tableau 1. Dialogue de Kastchei avec Ivan TsarévitchIgor StravinskyIgor Stravinsky15Tableau 1. Intercession des princessesIgor StravinskyIgor Stravinsky16Tableau 1. Apparition de l'Oiseau de feuIgor StravinskyIgor Stravinsky17Tableau 1. Danse de la suite de Kastchei enchantée par l'Oiseau de feuIgor StravinskyIgor Stravinsky18Tableau 1. Danse infernale de tous les sujets de KastcheiIgor StravinskyIgor Stravinsky19Tableau 1. Berceuse (l'Oiseau de feu)Igor StravinskyIgor Stravinsky20Tableau 1. Réveil de KastcheiIgor StravinskyIgor Stravinsky21Tableau 1. Mort de Kastchei - Profondes ténèbresIgor StravinskyIgor Stravinsky22Tableau 2. Disparition du palais et des sortilèges de Kastchei, animation des chevaliers pétrifiés,Igor StravinskyIgor Stravinsky 23Scherzo à la Russe, for orchestraIgor StravinskyIgor Stravinsky24Scherzo fantastique, for orchestra, Op. 3Igor StravinskyIgor Stravinsky 25Fireworks (Feu D'artifice), fantasy for orchestra, Op. 4Igor StravinskyIgor Stravinsky Whatever the limitations of Stravinsky's baton technique, no one else on disc conjures the same bustling excitement at the outset of Petrouchka. Overlapping, polyrhythmic textures in Petrouchka and in Le Sacre du Printemps come off with Mozartian lucidity, Mendelssonian lightness, and, well, Stravinsky-esque rhythmic exactitude (notwithstanding a few hesitant entrances). The clarity partly stems from the composer's use of his leaner revised scores, helped by close-up, analytical mike work by CBS. There are, of course, slicker, more sonically opulent versions of these 20th century landmarks. And then there are Stravinsky's. ___________________________________________________________________ Beethoven* & Brahms* - Nathan Milstein, William Steinberg, Pittsburgh Symphony Orchestra* ‎– Violin Concertos EMI Classics ‎– 7243 5 67583 2 2 Great Recordings Of The Century –CD, Europe2001ClassicalRomantic Ludwig van Beethoven Violin Concerto In D, Op. 611Allegro Ma Non Troppo2Larghetto3Rondo (Allegro)Johannes Brahms Violin Concerto In D, Op. 774Allegro Non Troppo5Adagio6Allegro Giocoso, Ma Non Troppo Vivace They adopt brisk tempi in both concert: 39:08 in the Beethoven and 36:11 in the Brahms. Milstein sometimes sounds rushed, although he is unflawed technically. The Beethoven is more akin to Grumiaux/Van Beinum than Schneiderhan/Jochum or Szeryng/Schmidt-Isserstedt, but all three sound a bit less driven than Milstein. And I prefer Kogan's playing to these violinists (with Kondrashin/Moscow-see my review) despite the more muffled sound. It is more poetic, deeper interpetively.And I prefer Jochum's conducting to Steinberg's in both concerti, although Steinbergwas a truly great, underrated conductor. Milstein's later Brahms concerto with Jochum/VPO is more relaxed and lyrical-it balances the virtuosity which is stillsufficient. Peers: Grumiaux/Van Beinum/Philips in bothBeethoven: Kogan/Kondrashin/Moscow; Scheiderhan/Jochum/DG; Szeryng/Schmidt-Isserstedt/Philips; Szeryng/Klemperer/Testament; Menuhin/Furtwangler/EMIBrahms: Oistrakh/Konwitschny/Dresden/DG and Szell/Cleveland/EMI; Menuhin/Kempe/EMI; Schneiderhan/Van Kempen/DG; Morini/Rodzinski/Westminster/DG________________________________________________________________________________________ Beethoven* ‎– Symphony No. 9 "Choral" Quintessence ‎– CDQ 2061CDUS1990ClassicalClassical, Romantic I. Allegro ma non troppo, un poco maestoso II. Molto vivace III. Adagio molto e cantabile - Andante moderato IV. Finale. Presto - Allegro assai In the firm momentum, sleek moulding and Classically wind-heavy balancing of the inner movements may be detected the ghostly hand of Richard Strauss upon his friend’s shoulder. In the second theme of the Adagio there is playing of great and joyful communion, between winds and strings, between Böhm and his men…More as a historical than a musical document, the release is significant.__________________________________________________________________________________ Alfred Cortot, Jacques Thibaud, Pablo Casals, Ludwig van Beethoven, Joseph Haydn, Felix Mendelssohn-Bartholdy, Franz Schubert, Robert Schumann, Johannes Brahms, Orquestra Pau Casals ‎– Piano Trios - Recordings 1926-1929 Références –EMI ‎– CHS 7 64507 23 × CD, Germany1991ClassicalRomantic, Classical Trio Pour Piano En Si Bémol Majeur , Op 97 "Archiduc"Composed By – Ludwig van Beethoven1-11er Mouvement : Allegro Moderato1-22ème Mouvement : Scherzo (Allegro)1-33ème Mouvement : Andante Cantabile Ma Péro Non Troppo (attacca)1-44ème Mouvement : Allegro ModeratoTrio Pour Piano En Si Bémol Majeur, Op 99 (D.898)Composed By – Franz Schubert1-51er Mouvement : Allegro Moderato1-62ème Mouvement : Andante Un Poco Mosso1-73ème Mouvement : Scherzo (Allegro) - Trio1-84ème Mouvement : Rondo (Allegro Vivace - Presto)1-97 Variations In E flat major on 'Bei Mannern, Weiche Liebe Fuhlen'Cello – Pablo CasalsComposed By – Ludwig van BeethovenPiano – Alfred Cortot10:02Trio Pour Piano N°1 En Ré Mineur, Op.49Composed By – Felix Mendelssohn-Bartholdy2-11er Mouvement : Molto Allegro Et Agitato2-22ème Mouvement : Andante Con Moto Tranquillo2-33ème Mouvement : Scherzo (leggiero E Vivace)2-44ème Mouvement : Finale (allegro Appassionato)Trio Pour Piano N°1 En Ré Mineur, Op 63Composed By – Robert Schumann2-51er Mouvement : Mit Energie Und Leidenschaft2-62ème Mouvement : Lebhaft, Doch Nicht Zu Rasch2-73ème Mouvement : Langsam Mit Inninger Empfindung2-84ème Mouvement : Mit Feuer7:192-9Variations En Sol Majeur, Op 121a Sur L'air "Ich Bin Der Schneider Kakadu"Composed By – Ludwig van Beethoven18:52Trio Pour Piano En Sol Majeur, Op 82 N°2 (H.XV/25)Composed By – Joseph Haydn3-11er Mouvement: Andante3-22ème Mouvement : Poco Adagio Cantabile3-33 ème Mouvement : Rondo All'ongareseViolin Sonata No.9 In A Major, Op.47 'Kreutzer'Composed By – Ludwig van BeethovenPiano – Alfred CortotViolin – Jacques Thibaud3-41er Mouvement : Adagio Sostenuto - Presto3-52ème Mouvement : Andante Con Variazioni3-63ème Mouvement : Finale (Presto)Double Concerto In A Minor, Op.102Cello – Pablo CasalsComposed By – Johannes BrahmsConductor – Alfred CortotOrchestra – Orquestra Pau CasalsViolin – Jacques Thibaud3-71er Mouvement : Allegro3-82ème Mouvement : Andante3-93ème Mouvement : Vivace Ma Non Troppo __________________________________________________________________________ Alfred Brendel • Beethoven* ‎– Alfred Brendel Plays Beethoven Piano Sonatas Nos. 27, 28, 29 "Hammerklavier", 30, 31 & 32 VoxBox ‎– CDX 50282 × CD, Compilation, Reissue, RemasteredUS1991ClassicalRomantic Sonata No. 29 In B-Flat Major, Op. 106 "Hammerklavier"1-1I. Allegro1-2II. Scherzo1-3III. Adagio Sostenuto1-4IV. Largo; Allegro RisolutoSonata No. 32 In C Minor, Op. 1111-5I. Maestoso; Allegro Con Brio E Appassionato1-6II. Arietta: Adagio Molto, Semplice E CantabileSonata No. 28 In A Major, Op. 1012-1I. Allegretto Ma Non Troppo2-2II. Vivace Alla Marcia2-3III. Adagio Ma Non Troppo Con Affetto; PrestoSonata No. 30 In E Major, Op. 1092-4I. Vivace Ma Non Troppo; Adagio Espressivo2-5II. Prestissimo2-6III. Tema Con VariazioniSonata No. 31 In A-Flat Major, Op. 1102-7I. Moderato Cantabile, Molto Espressivo2-8II. Allegro Molto; III. Adagio Ma Non Troppo2-9Fuga: (Allegro Ma Non Troppo)Sonata No. 27 In E Minor, Op. 902-10I. Mit Lebhaftigkeit Und Durchaus Mit Empfindung Und Ausdruck2-11II. Nicht Zu Geschwind Und Sehr Singbar Vorzutragen Igor StravinskyStravinsky: The Firebird; Scherzo a la Russe; Fireworks Genre:ClassicalStylesOrchestralBallet L' oiseau de feu (The Firebird), ballet in 2 scenes for orchestra1IntroductionIgor StravinskyIgor Stravinsky 2Tableau 1. Le jardin enchanté de KastcheiIgor StravinskyIgor Stravinsky 3Tableau 1. Apparition de l'Oiseau de feu, poursuivi par Ivan TsarévitchIgor StravinskyIgor Stravinsky4Tableau 1. Danse de l'Oiseau de feu per Ivan TsarévitchIgor StravinskyIgor Stravinsky5Tableau 1. Capture de l'Oiseau de feu par Ivan TsarévitchIgor StravinskyIgor Stravinsky 6Tableau 1. Supplications de l'Oiseau de feuIgor StravinskyIgor Stravinsky7Tableau 1. Apparition des treize princesses enchantéesIgor StravinskyIgor Stravinsky8Tableau 1. Jeu des princesses avec les pommes d'or (Scherzo)Igor StravinskyIgor Stravinsky9Tableau 1. Brusque apparition d'Ivan TsarévitchIgor StravinskyIgor Stravinsky10Tableau 1. Corovod (Ronde) des princessesIgor StravinskyIgor Stravinsky11Tableau 1. Lever du jourIgor StravinskyIgor Stravinsky 12Tableau 1. Carillon féerique, apparition des monstres-gardiens de Kastchei et capture d'Ivan TsarévIgor StravinskyIgor Stravinsky 13Tableau 1. Arrivée de Kastchei l'immortelIgor StravinskyIgor Stravinsky14Tableau 1. Dialogue de Kastchei avec Ivan TsarévitchIgor StravinskyIgor Stravinsky15Tableau 1. Intercession des princessesIgor StravinskyIgor Stravinsky16Tableau 1. Apparition de l'Oiseau de feuIgor StravinskyIgor Stravinsky17Tableau 1. Danse de la suite de Kastchei enchantée par l'Oiseau de feuIgor StravinskyIgor Stravinsky18Tableau 1. Danse infernale de tous les sujets de KastcheiIgor StravinskyIgor Stravinsky19Tableau 1. Berceuse (l'Oiseau de feu)Igor StravinskyIgor Stravinsky20Tableau 1. Réveil de KastcheiIgor StravinskyIgor Stravinsky21Tableau 1. Mort de Kastchei - Profondes ténèbresIgor StravinskyIgor Stravinsky22Tableau 2. Disparition du palais et des sortilèges de Kastchei, animation des chevaliers pétrifiés,Igor StravinskyIgor Stravinsky 23Scherzo à la Russe, for orchestraIgor StravinskyIgor Stravinsky24Scherzo fantastique, for orchestra, Op. 3Igor StravinskyIgor Stravinsky 25Fireworks (Feu D'artifice), fantasy for orchestra, Op. 4Igor StravinskyIgor Stravinsky Whatever the limitations of Stravinsky's baton technique, no one else on disc conjures the same bustling excitement at the outset of Petrouchka. Overlapping, polyrhythmic textures in Petrouchka and in Le Sacre du Printemps come off with Mozartian lucidity, Mendelssonian lightness, and, well, Stravinsky-esque rhythmic exactitude (notwithstanding a few hesitant entrances). The clarity partly stems from the composer's use of his leaner revised scores, helped by close-up, analytical mike work by CBS. There are, of course, slicker, more sonically opulent versions of these 20th century landmarks. And then there are Stravinsky's. ___________________________________________________________________ Beethoven* & Brahms* - Nathan Milstein, William Steinberg, Pittsburgh Symphony Orchestra* ‎– Violin Concertos EMI Classics ‎– 7243 5 67583 2 2 Great Recordings Of The Century –CD, Europe2001ClassicalRomantic Ludwig van Beethoven Violin Concerto In D, Op. 611Allegro Ma Non Troppo2Larghetto3Rondo (Allegro)Johannes Brahms Violin Concerto In D, Op. 774Allegro Non Troppo5Adagio6Allegro Giocoso, Ma Non Troppo Vivace They adopt brisk tempi in both concert: 39:08 in the Beethoven and 36:11 in the Brahms. Milstein sometimes sounds rushed, although he is unflawed technically. The Beethoven is more akin to Grumiaux/Van Beinum than Schneiderhan/Jochum or Szeryng/Schmidt-Isserstedt, but all three sound a bit less driven than Milstein. And I prefer Kogan's playing to these violinists (with Kondrashin/Moscow-see my review) despite the more muffled sound. It is more poetic, deeper interpetively.And I prefer Jochum's conducting to Steinberg's in both concerti, although Steinbergwas a truly great, underrated conductor. Milstein's later Brahms concerto with Jochum/VPO is more relaxed and lyrical-it balances the virtuosity which is stillsufficient. Peers: Grumiaux/Van Beinum/Philips in bothBeethoven: Kogan/Kondrashin/Moscow; Scheiderhan/Jochum/DG; Szeryng/Schmidt-Isserstedt/Philips; Szeryng/Klemperer/Testament; Menuhin/Furtwangler/EMIBrahms: Oistrakh/Konwitschny/Dresden/DG and Szell/Cleveland/EMI; Menuhin/Kempe/EMI; Schneiderhan/Van Kempen/DG; Morini/Rodzinski/Westminster/DG________________________________________________________________________________________ Beethoven* ‎– Symphony No. 9 "Choral" Quintessence ‎– CDQ 2061CDUS1990ClassicalClassical, Romantic I. Allegro ma non troppo, un poco maestoso II. Molto vivace III. Adagio molto e cantabile - Andante moderato IV. Finale. Presto - Allegro assai In the firm momentum, sleek moulding and Classically wind-heavy balancing of the inner movements may be detected the ghostly hand of Richard Strauss upon his friend’s shoulder. In the second theme of the Adagio there is playing of great and joyful communion, between winds and strings, between Böhm and his men…More as a historical than a musical document, the release is significant.__________________________________________________________________________________ Alfred Cortot, Jacques Thibaud, Pablo Casals, Ludwig van Beethoven, Joseph Haydn, Felix Mendelssohn-Bartholdy, Franz Schubert, Robert Schumann, Johannes Brahms, Orquestra Pau Casals ‎– Piano Trios - Recordings 1926-1929 Références –EMI ‎– CHS 7 64507 23 × CD, Germany1991ClassicalRomantic, Classical Trio Pour Piano En Si Bémol Majeur , Op 97 "Archiduc"Composed By – Ludwig van Beethoven1-11er Mouvement : Allegro Moderato1-22ème Mouvement : Scherzo (Allegro)1-33ème Mouvement : Andante Cantabile Ma Péro Non Troppo (attacca)1-44ème Mouvement : Allegro ModeratoTrio Pour Piano En Si Bémol Majeur, Op 99 (D.898)Composed By – Franz Schubert1-51er Mouvement : Allegro Moderato1-62ème Mouvement : Andante Un Poco Mosso1-73ème Mouvement : Scherzo (Allegro) - Trio1-84ème Mouvement : Rondo (Allegro Vivace - Presto)1-97 Variations In E flat major on 'Bei Mannern, Weiche Liebe Fuhlen'Cello – Pablo CasalsComposed By – Ludwig van BeethovenPiano – Alfred Cortot10:02Trio Pour Piano N°1 En Ré Mineur, Op.49Composed By – Felix Mendelssohn-Bartholdy2-11er Mouvement : Molto Allegro Et Agitato2-22ème Mouvement : Andante Con Moto Tranquillo2-33ème Mouvement : Scherzo (leggiero E Vivace)2-44ème Mouvement : Finale (allegro Appassionato)Trio Pour Piano N°1 En Ré Mineur, Op 63Composed By – Robert Schumann2-51er Mouvement : Mit Energie Und Leidenschaft2-62ème Mouvement : Lebhaft, Doch Nicht Zu Rasch2-73ème Mouvement : Langsam Mit Inninger Empfindung2-84ème Mouvement : Mit Feuer7:192-9Variations En Sol Majeur, Op 121a Sur L'air "Ich Bin Der Schneider Kakadu"Composed By – Ludwig van Beethoven18:52Trio Pour Piano En Sol Majeur, Op 82 N°2 (H.XV/25)Composed By – Joseph Haydn3-11er Mouvement: Andante3-22ème Mouvement : Poco Adagio Cantabile3-33 ème Mouvement : Rondo All'ongareseViolin Sonata No.9 In A Major, Op.47 'Kreutzer'Composed By – Ludwig van BeethovenPiano – Alfred CortotViolin – Jacques Thibaud3-41er Mouvement : Adagio Sostenuto - Presto3-52ème Mouvement : Andante Con Variazioni3-63ème Mouvement : Finale (Presto)Double Concerto In A Minor, Op.102Cello – Pablo CasalsComposed By – Johannes BrahmsConductor – Alfred CortotOrchestra – Orquestra Pau CasalsViolin – Jacques Thibaud3-71er Mouvement : Allegro3-82ème Mouvement : Andante3-93ème Mouvement : Vivace Ma Non Troppo __________________________________________________________________________ Alfred Brendel • Beethoven* ‎– Alfred Brendel Plays Beethoven Piano Sonatas Nos. 27, 28, 29 "Hammerklavier", 30, 31 & 32 VoxBox ‎– CDX 50282 × CD, Compilation, Reissue, RemasteredUS1991ClassicalRomantic Sonata No. 29 In B-Flat Major, Op. 106 "Hammerklavier"1-1I. Allegro1-2II. Scherzo1-3III. Adagio Sostenuto1-4IV. Largo; Allegro RisolutoSonata No. 32 In C Minor, Op. 1111-5I. Maestoso; Allegro Con Brio E Appassionato1-6II. Arietta: Adagio Molto, Semplice E CantabileSonata No. 28 In A Major, Op. 1012-1I. Allegretto Ma Non Troppo2-2II. Vivace Alla Marcia2-3III. Adagio Ma Non Troppo Con Affetto; PrestoSonata No. 30 In E Major, Op. 1092-4I. Vivace Ma Non Troppo; Adagio Espressivo2-5II. Prestissimo2-6III. Tema Con VariazioniSonata No. 31 In A-Flat Major, Op. 1102-7I. Moderato Cantabile, Molto Espressivo2-8II. Allegro Molto; III. Adagio Ma Non Troppo2-9Fuga: (Allegro Ma Non Troppo)Sonata No. 27 In E Minor, Op. 902-10I. Mit Lebhaftigkeit Und Durchaus Mit Empfindung Und Ausdruck2-11II. Nicht Zu Geschwind Und Sehr Singbar Vorzutragen This collection is one of the finest possessions that any lover of music--classical or otherwise-- could possibly own. Alfred Brendel's interpretation of Beethoven's serious, probing piano works is in my opinion among the greatest interpretive achievements of the 20th century, and these recordings capture Brendel's performance in a luminous, ambient sonic wonderland that I find all but overwhelming. You will be drawn into a poetic and reflective space that will astound, enchant, and disturb you... consider Brendel's statement about the slow movement of the Moonlight Sonata, hideously sentimentalized by most artists: in Brendel's words, it's "a mystic realm of awe and shuddering." Think about this, and listen to Brendel's interpretation, and you'll have a great start on this rich, deep, expansive collection of total artistry. Avoiding bombast, Brendel lays bare the incredible architecture that underlies Beethoven's work, and in so doing Brendel fully unleashes Beethoven's artistic and emotional power, a world of musical romance and argumentation that begins to speak to you with an eloquence ranging far beyond the complexities of speech. With Brendel as your guide, you are ushered into a world in which you fully perceive Beethoven's creative genius; before you opens a world of depth and insight and enchantment and meaning. This recording belongs in the library of any serious lover of classical music--and indeed, of any person who believes that music and its performance speak with eloquence of something that is inexpressably deep and meaningful about human existence, something that only music can fully describe. It's very hard to put into words... just listen. A final note: the overwhelming power of this collection isn't a mere matter of sonic trickery; four of the performances are live performances selected by Brendel himself as superior to the studio recordings, despite the live performances' inferior acoustics; believe me, you won't care. (The audiences are very quiet, which doesn't surprise me; undoubtedly, they were drawn into Brendel's performances to the point of reverence.) Every one of the performances in this collection draws you into a world in which every single note penned by Beethoven matters deeply, and Brendel's artistry is such that, somehow, you understand why.

Price: 29.95 USD

Location: Sun City, California

End Time: 2024-12-06T08:32:46.000Z

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