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BOB JAMES "RAMEAU" 1984 CBS MASTERWORKS EX+/NM OOP KEYBOARD CLASSICAL LP

Description: NOTE: MAIL RATES HAVE RECENTLY GONE UP A LITTLE RECENTLY, MY FLAT RATE ENCOMPASSES THAT WITH A LITTLE EXTRA TO COVER THE COST OF THE RECORD MAILERS. THANKS! I DO SHIP INTERNATIONALLY, PLEASE DOUBLE CHECK BEFORE BIDDING OR BUYING THAT IS SHIP TO YOUR COUNTRY. THE PHOTO'S MAY BE A LITTLE BLURRY (SORRY ABOUT THAT), BUT THE PHOTO'S ARE OF THE ACTUAL ITEM YOU ARE BIDDING ON OR BUYING. THANKS FOR LOOKING. FEEL FREE TO ASK QUESTIONS. NOTE: eBay HAS TAKEN IT UPON THEMSELVES TO REMOVE WHAT THEY CALL “OUTSIDE” LINKS, THESE ARE IN THE HTML DESCRIPTION, AND CAN'T EVEN BE SEEN IN MY ITEM DESCRIPTION, SO FROM NOW ON IF YOU WANT TO KNOW MORE ABOUT THE ITEM &/OR ARTIST LOOK 'EM UP, ON WIKI, OR OTHER SOURCES ETC. (SORRY 'BOUT THAT!) CLEANING OUT MORE LP'S. SOME FROM THRIFT STORES, SOME FROM MY MUSIC LIBRARY, AND SOME FROM MY RADIO FRIENDS SOLD OR GIVEN TO ME, SOME FROM THE NETWORK I WAS AT. NOTE: I DO NOT ACCEPT "BEST OFFERS" I WANT EVERYONE TO HAVE A FAIR SHOT AT WHAT I AM SELLING. THANKS! I DO COMBINE SHIPPING! THIS IS A PHOTO OF THE ACTUAL ITEM FOR SALE, SORRY IF THE PICTURE(S) ARE A BIT BLURRY OR IF THERE'S A LITTLE GLARE. I HAD A SMALL HEART ATTACK A COUPLE OF YEARS AGO AND AM SLOWLY LETTING GO OF MY ALBUM COLLECTION, THIS COMES FROM OVER 40 YEARS OF COLLECTING AND ALSO WORKING IN RADIO WHEN STATIONS WERE TRANSITIONING FROM LP's TO CD's. ARTIST: BOB JAMES TITLE: “RAMEAU” TRACK LISTING-SEE PHOTOS/BELOW: A1 Fanfarinette 2:37 A2 Gavotte & 6 Doubles 7:08 A3a Menuet #1 1:13 A3b Menuet #2 1:18 A4 La Livri 2:07 A5 Arlequinade 3:07 La Timide A6a Rondeau Gracieux 2:22 A6b Rondeau 1:40 A7 L'Indiscréte 1:30 B1 La Chasse 2:02 B2a Les Niais De Sologne 3:36 B2b Double Des Niais #1 2:07 B2c Double Des Nias #2 2:23 B3 Les Soupirs 4:37 B4 Air Pour Les Esclaves Africains 2:20 B5 Les Triolets 3:11 B6a Tambourin #1 0:33 B6b Tambourin #2 2:07 NOTES- Includes 11" x 11" Notes insert (Beiliegend deutscher Text / Texte français inclus). Runouts are etched except "D" stamped. The instruments used on this recording include the Oberheim OB-8, DSX, DMX, system; Roland Jupiter 8 & Vocoder; Yamaha GS-1 & 2; Mini-Moog RECORD LABEL: CBS MASTERWORKS RECORDS CAT.#: IM 39540 YEAR OF RELEASE: 1984 RECORD CONDITION: THE RECORD IS IN NM/NM- CONDITION, NICE SHINEY BLACK LUSTER. NO MARKS, SCRATCHES, BLEMS OR FINGERPRINTS. BOTH LABELS IN EXCELLENT CONDITION, LOOKS AND PLAYS SUPER CLEAN. JACKET CONDITION: THE JACKET IS IN EX+/NM- CONDITION, NICE CLEAN STRAIGHT EDGES, NO WRITING, NO DINGS, BENDS, STAINS ETC. VERY, VERY LIGHT EDGE WEAR ALONG THE OPENING. HAS A GOLD FOIL STICKER IN THE UPPER RIGHT CORNER. THE RECORD COMES IN A HEAVY STOCK INNER SLEEVE, THERE'S ALSO AN INSERT WITH LINER NOTES IN FRENCH ON ONE SIDE AND GERMAN THE OTHER, THAT MATCH THE ENGLISH NOTES BY BOB JAMES ON THE BACK OF THE JACKET. MORE INFO: THIS RECORD IS CURRENTLY OUT OF PRINT. MORE INFO:BOB JAMES INFO/BIO- Bob James (born December 25, 1939) is a two-time Grammy Award-winning jazz keyboardist. Though he has recorded a couple of straight jazz albums, most of his recordings contain “pop-jazz” which is a type of instrumental pop music. Bob James was an important figure in turning 1970s fusion jazz more commercial. For their album One on One, Earl Klugh and Bob James received a Grammy award for Best Pop Instrumental Performance of 1981. “Angela”, the instrumental theme from the sitcom Taxi, is probably Bob James’ most well-known work to date. With his song “Take Me To The Mardi Gras”, Bob James secured his place in hip-hop history when the song was sampled by Run-DMC in their song “Peter Piper” from the Raising Hell release. “Take Me To The Mardi Gras” has been sampled in numerous hip-hop songs since “Peter Piper”, including Eric B. & Rakim’s “Don’t Sweat The Technique”, the Beastie Boys’ “Hold It Now, Hit It”, and by Timbaland, in Missy Elliot’s “Work It”. Another song by Bob James that has also been frequently sampled by the hip-hop and electronic music community is “Nautilus”, being sampled by artists such as DJ Premier, Pete Rock, A Tribe Called Quest, DJ Cam and Luke Vibert, and Ghostface Killah. Nautilus has been covered by current touring acts as diverse as Greyboy Allstars and Sound Tribe Sector 9. Bob James’ recordings have practically defined pop/jazz and crossover during the past few decades. Very influenced by pop and movie music, James has often featured R&B-ish soloists (most notably Grover Washington Jr.), who add a jazz touch to what is essentially an instrumental pop set. He actually started out in music going with a much different direction. In 1962, Bob James recorded a bop-ish trio set for Mercury, and three years later his album for ESP was quite avant-garde, with electronic tapes used for effects. After a period with Sarah Vaughan (1965-1968), he became a studio musician, and by 1973 was arranging and working as a producer for CTI. In 1974, James recorded his first purely commercial effort as a leader; he later made big-selling albums for his own Tappan Zee label, Columbia, and Warner Bros., including collborations with Earl Klugh (Cool, One on One) and David Sanborn (Double Vision). Listeners who prefer challenging jazz to background dance music will be consistently disappointed by Bob James’ post-1965 albums. James is a member of smooth jazz supergroup Fourplay and is a Yamaha Artist. RAMEAU BIO- Jean Philippe Rameau (1683-1764) was a French theoretician of music and a composer. His theoretical works provided the scientific basis for the development of traditional, functional harmony in the 18th century. His operas were the first national creations to rival those of Lully. Jean Philippe Rameau was born in Dijon on Sept. 25, 1683, the son of a provincial organist. It is presumed that he studied with his father, no other formal training being known. He was in Italy in 1701 and then served as organist for a time at Clermont-Ferrand. In 1706 he was in Paris, where his first collection of harpsichord pieces was published. Rameau dropped out of sight for nearly a decade, returning sometime about 1715 to his former position at Clermont-Ferrand. Here he wrote his famous Treatise on Harmony Reduced to Its Natural Principles (1722). In 1731 Rameau came under the patronage of one of the wealthiest, most remarkable 18th-century French aristocrats, La Poupliniere. Rameau was active as a teacher, harpsichordist, conductor, and composer in his establishment until 1753. His patron provided the necessary arrangements for Rameau to attempt his hand at opera composition. In 1733 Hippolyte et Aricie, to a libretto by the Abbé Pellegrin, was presented in Paris; it was Rameau's first major public success. Les Indes galantes followed in 1735, and Castor et Pollux, generally considered to be his crowning triumph in the music theater, in 1737. These works challenged the then-prevailing taste for simpler, more tuneful diversions and entertainments, as well as the belief that Jean Baptiste Lully was the only significant composer of French operas. The ensuing quarrels in French intellectual circles over the respective merits of Lully and Rameau and later over the merits of Italian versus French music assured Rameau of lasting fame. In 1745 the King awarded Rameau a lifetime pension on the basis of his pleasure with La Princesse de Navarre, a comédie-ballet (a unification of stage play and ballet) composed for the marriage of the Dauphin to Maria Theresa of Spain. In his keyboard music Rameau followed in the steps of François Couperin. Nearly 20 years elapsed between Rameau's first publications in 1706 and a second collection of orderly, elegant pieces for the harpsichord, Pieces de clavecin avec une méthode pour la mécanique des doigts (1726). The Pieces de clavecin en concert avec un violon ou une flûte et une viole ou un deuxieme violon (1741) is generally acknowledged as his masterpiece of chamber music. He died in Paris on Sept. 12, 1764. Rameau's keyboard music is of exceptionally high quality, but he is even more widely acclaimed as a theorist. He was the only major composer who gained a reputation as a theorist before being acclaimed for composition. All his life he fought against the widely held erroneous notion that to be "scientific" in music is to be mechanical and lifeless. Rameau's Treatise on Harmony established the primacy of triadic harmony as the central "law" of music. He claimed that melody must be subordinated to harmony and that harmonic considerations alone should dictate composition. He established the significant theoretical concept that the inversions of chords did not create new chords but were further manifestations of a single harmony. While Rameau's ideas were much debated and attacked, their importance for the future of theory and practice cannot be overestimated. His codification of functional harmony provided much of the theoretical basis for traditional composition well into the 19th century. NOTE: ONLY LIMITED INTERNATIONAL SHIPPING. PLEASE CHECK THE SHIPPING TAB TO MAKE SURE I SHIP TO YOUR COUNTRY BEFORE BIDDING. THANKS! ALL INTERNATIONAL SHIPPING GOES EBAY GLOBAL SHIPPING. I DO COMBINE SHIPPING. NOTE: THE SHIPPING PRICE INCLUDES THE COST OF THE LP MAILER. MEDIA MAIL COSTS WENT UP RECENTLY. PLEASE NOTE MY RETURN POLICY! I DO COMBINE SHIPPING………. CHECK OUT MY OTHER AUCTIONS PLEASE PAY FOR ALL ITEMS WITHIN 4 DAYS, OR MESSAGE ME TO EXPLAIN WHY YOU CAN’T,(IF YOU ARE BIDDING OR PLAN TO BID ON OTHER ITEMS) I WILL DO A ONE WEEK WAIT FROM THE DATE OF THE END OF THE FIRST AUCTION WIN, TO COMBINE SHIPPING ON ITEMS, AFTER THAT I NEED PAYMENT IN FULL AND WILL MAIL OUT THE ITEMS , EVEN IF YOU ARE BIDDING ON OTHERS, THUS BEGINS A NEW BILLING/SHIPPING CYCLE. THIS CASH FLOW IS MY SOURCE OF INCOME FOR PAYING RENT/BILLS, ETC. IF YOU HAVE WON AN ITEM AND I DO NOT HEAR FROM YOU ONE WAY OR THE OTHER WITHIN 7 DAYS I WILL OPEN AN “UNPAID ITEM CASE”, IN ORDER TO FREE UP THE ITEM FOR A POSSIBLE RE-LISTING OR A “SECOND CHANCE OFFER”. PLEASE WHEN YOU WIN AN ITEM TRY AND PAY FOR IT IN A TIMELY FASHION OR LET ME KNOW YOU ARE LOOKING AT OTHER ITEMS I HAVE LISTED, I MAIL ITEMS OUT WITHIN ONE WORKING DAYS ONCE PAYMENT IS RECEIVED. NEW NOTE TO ALL POTENTIAL BIDDERS PLEASE! DO NOT BID IF YOU HAVE NO INTENTION OF PAYING FOR AN ITEM YOU MIGHT WIN, INTERNATIONAL BIDDERS TAKE NOTE !!! SHIPPING RATES JUST WENT UP A LITTLE ...JUST A HEADS UP. SHIPPING IS BASED ON THE WEIGHT AND DESTINATION I DO NOT LIKE OPENING UNPAID ITEM CASES BUT I WILL IF YOU NEGLECT TO PAY AND I WILL PUT YOU ON MY “BLOCKED BIDDER” LIST.

Price: 5.49 USD

Location: Los Angeles, California

End Time: 2024-10-02T18:25:37.000Z

Shipping Cost: 5.5 USD

Product Images

BOB JAMES "RAMEAU" 1984 CBS MASTERWORKS EX+/NM OOP KEYBOARD CLASSICAL LPBOB JAMES "RAMEAU" 1984 CBS MASTERWORKS EX+/NM OOP KEYBOARD CLASSICAL LPBOB JAMES "RAMEAU" 1984 CBS MASTERWORKS EX+/NM OOP KEYBOARD CLASSICAL LPBOB JAMES "RAMEAU" 1984 CBS MASTERWORKS EX+/NM OOP KEYBOARD CLASSICAL LPBOB JAMES "RAMEAU" 1984 CBS MASTERWORKS EX+/NM OOP KEYBOARD CLASSICAL LPBOB JAMES "RAMEAU" 1984 CBS MASTERWORKS EX+/NM OOP KEYBOARD CLASSICAL LPBOB JAMES "RAMEAU" 1984 CBS MASTERWORKS EX+/NM OOP KEYBOARD CLASSICAL LPBOB JAMES "RAMEAU" 1984 CBS MASTERWORKS EX+/NM OOP KEYBOARD CLASSICAL LPBOB JAMES "RAMEAU" 1984 CBS MASTERWORKS EX+/NM OOP KEYBOARD CLASSICAL LPBOB JAMES "RAMEAU" 1984 CBS MASTERWORKS EX+/NM OOP KEYBOARD CLASSICAL LP

Item Specifics

Return shipping will be paid by: Buyer

All returns accepted: Returns Accepted

Item must be returned within: 30 Days

Refund will be given as: Money Back

Artist: BOB JAMES

Record Label: CBS MASTERWORKS RECORDS

Case Type: Cardboard Sleeve

Fidelity Level: Full-Range

Vinyl Matrix Number:  DAL 39540-1A G1 A7

Inlay Condition: Near Mint (NM or M-)

Format: Record

Record Grading: Near Mint (NM or M-)

Release Year: 1984

Language: English, French, German

Record Size: 12"

Style: 1980s, Electro/Synth, Neo-Classical

Features: Original Cover, Original Inner Sleeve, THIS RECORD IS CURRENTLY OUT OF PRINT

Unit Quantity: 1

Number of Audio Channels: Stereo

Speed: 33 RPM

Composer: Jean Philippe Rameau

Release Title: RAMEAU

Color: Black

Material: Vinyl

Catalog Number: IM 39540

Edition: First Edition, First Pressing

Type: LP

Sleeve Grading: Near Mint (NM or M-)

Producer: BOB JAMES

Era: 1980s

Instrument: Keyboard, Piano

Genre: Classical

Run Time: SEE ITEM DESCRIPTION

Country/Region of Manufacture: United States

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