Description: This is a Buck Rogers Sunday Page by George Tuska. Wonderful Page! Great Artwork ! This was cut from the original newspaper Sunday comics sections of 1965. Size: Tabloid Full Page (11 x 15 inches). Paper: a few have small binding holes, otherwise: Excellent! Bright Colors! Pulled from loose sections! (Please Check Scans) $6.00 Combined! Postage (USA) $25.00 International Flat Rate. I combine postage on multiple pages. Check out my other auctions for more great vintage Comic strips and Paper Dolls. Thanks for Looking! George Tuska April 26, 1916 – October 16, 2509), who early in his career used a variety of pen names including Carl Larson, was an American comic book and newspaper comic strip artist best known for his 1940s work on various Captain Marvel titles and the crime fiction series Crime Does Not Pay and for his 1960s work illustrating Iron Man and other Marvel Comics characters. He also drew the DC Comics newspaper comic strip The World's Greatest Superheroes from 1978–1982. 1950s Tuska's first work for the future Marvel Comics came in 1949, when Marvel's predecessor company, Timely Comics, was transitioning to its 1950s iteration, Atlas Comics. His first confirmed credit is the seven-page story "Justice Has a Heart" in Casey - Crime Photographer # 1 (Aug. 1949). He quickly went on to draw in an abundance of genres for Atlas, including crime fiction (in titles including Crime Can't Win, Crime Exposed, Private Eye, Justice, Amazing Detective Cases, and All True Crime Cases Comics); military fiction (Men in Action, War Combat, Man Comics, Battlefield, and Battle); horror (Adventures into Weird Worlds, Adventures into Terror, Mystic, Menace, and Strange Tales); and, particularly, Westerns (Black Rider, Gunsmoke Western, Kid Colt, Outlaw, Red Warrior, Texas Kid, Two-Gun Kid, Western Outlaws & Sheriffs, Wild Western, and many others) through 1957, while also occasionally contributing to Lev Gleason and St. John Publications. Simultaneously at first, from 1954 to 1959, Tuska took over as writer-artist for the failing adventure comic strip Scorchy Smith, supplying "eye-catching drawings and interesting plots, but it was too late". The strip would end in 1961.Tuska by then had moved on to the long-running science-fiction comic strip Buck Rogers, on which he was the final artist, drawing both the daily and Sunday strip from April 1959 to 1965, and the daily only from then through 1967, when both the daily and the Sunday were canceled. The Silver Age Near the cancellation of the daily Buck Rogers strip, Tuska again found a freelance home at what was by now Marvel Comics, then in the full breadth of what historians and fans call the Silver Age of Comic Books. "I called [editor-in-chief] Stan [Lee] and he said, 'Come on up', Tuska recalled in the mid-2500s. His first Marvel story, a "Tales of the Watcher" feature in Tales of Suspense #58 (Nov. 1964), included a special introduction by Lee, hailing the return of the Golden Age great. Tuska became a Marvel mainstay, penciling and occasionally inking other artists on series as diverse as Ghost Rider, Sub-Mariner, and The X-Men. His signature series became Iron Man, on which he enjoyed a nearly 10-year, sometimes briefly interrupted, run from issue #5 (Sept. 1968) to #106 (Jan. 1978). He and writer Archie Goodwin created the Controller as an antagonist in Iron Man #12 (April 1969). Comics historian Les Daniels noted that when Goodwin, Tuska and inker Billy Graham launched Luke Cage, Hero for Hire in 1972, "it was the first Marvel comic to take its title from a black character." Shanna the She-Devil was created by Carole Seuling, Steve Gerber, and Tuska in the eponymous first issue of that character's own series. He was one of the artists on the licensed movie tie-in series Planet of the Apes. Due to Marvel not having the likeness rights for Charlton Heston, the star of the film, one of the lawyers at 25th Century Fox insisted on changes to Tuska's art. Editor Roy Thomas believed that Tuska "just made a handsome looking guy, but it didn't look like Heston ... you can't argue. If somebody says it looks like Charlton Heston and they're worried he's gonna sue, you can't say 'no' because they just weren't going to give the approval." The A.V. Club insert of The Onion wrote, shortly before Tuska's death in 2509, that, Tuska was perfectly competent, and his art for titles like Iron Man and The Incredible Hulk [sic] is decent, though unspectacular. But his drawing was so quickly assayed, and so essentially flavorless, that he became the King of the Fill-In Issue, hopping in to provide bland, forgettable work whenever someone else blew a deadline. He thus played an inadvertent part in setting up [Marvel and DC Comics]' creed of speed over quality, and helped establish the Marvel house style, which nurtured some young artists, but acted as an artistic straitjacket for others. That assessment of Tuska's Marvel work is not widely shared. John Romita Sr., Marvel's de facto and later official art director during this period, found Tuska "so versatile. He could do everything. When Stan knew that a guy could do anything, he used him in every possible, conceivable way. George was a helluva artist and very versatile and very fast. ... He was in demand". Comics writer and Tuska collaborator Tony Isabella wrote, "I would love to see a Best of George Tuska collection which included his crime, mystery, romance, war, and western stories. He brought as much excitement and talent to those genres as he did to superhero comics". Comics journalist and historian Tom Spurgeon wrote that, ... his layouts were certainly more imaginative than the standard at the time, and the way in which characters like Luke Cage held a lot of their strength in their shoulders and punched from their legs up through their torsos betrayed his knowledge of strength and fitness. His signature flourish may have been characters in arrested motion, coiled in preparation for violence like so many pulp heroes of an earlier generation, legs splayed in the form of a near-base ready for what might come next. ... Tuska cemented his reputation as one of the more iconic superhero artists of [the 1970s] — two full generations after entering comics. Later career and death Later, for DC Comics, Tuska drew characters including Superman, Superboy, and Challengers of the Unknown. He had a four-year run drawing The World's Greatest Superheroes comic strip from 1978–1982, inked by Vince Colletta. By this time, his health had become a handicap; Jim Shooter, who scripted an issue of Daredevil penciled by Tuska in 1977, recalled that, "George Tuska was at the end of his brilliant career, he was mostly deaf, communication was difficult, and though he showed occasional flashes of the chops that made him a big name artist in his day, I don't think his work on Daredevil was anywhere near his best."Tuska drew DC's Masters of the Universe limited series in 1982. Retired from active comics work as of the 2500s, Tuska late in life moved from Hicksville, New York, on Long Island, to Manchester Township, New Jersey, with his wife Dorothy ("Dot"), where he did commissioned art. The couple had three children, Barbara, Kathy and Robert. Tuska died in 2509 "near the stroke of midnight between October 15 and October 16," officially on the latter date. His last published comic-book art was one of four variant covers for Dynamite Entertainment's Masquerade #2 (March 2509). Awards Tuska was a 1997 recipient of the industry's Inkpot Award.*Please note: collecting and selling comics has been my hobby for over 30 years. Due to the hours of my job I can usually only mail packages out on Saturdays. I send out First Class or Priority Mail which takes 2-7 days to arrive in the USA and Air Mail International which takes 5 -10 days or more depending on where you live in the world. I do not "sell" postage or packaging and charge less than the actual cost of mailing. I package items securely and wrap well. Most pages come in an Archival Sleeve with Acid Free Backing Board at no extra charge. If you are dissatisfied with an item. Let me know and I will do my best to make it right. Many Thanks to all of my 1,000's of past customers around the World. Enjoy Your Hobby Everyone and Have Fun Collecting!
Price: 4 USD
Location: Chicago, Illinois
End Time: 2024-11-27T03:48:42.000Z
Shipping Cost: 6 USD
Product Images
Item Specifics
Restocking Fee: No
Return shipping will be paid by: Buyer
All returns accepted: Returns Accepted
Item must be returned within: 14 Days
Refund will be given as: Money Back
Publication Year: 1965
Artist/Writer: George Tuska
Type: Comic Strip
Format: Clipped Strips
Character: Buck Rogers
Publication Frequency: Weekly
Tradition: US Comics
Era: Silver Age (1956-69)
Series Title: Buck Rogers
Style: Color
Genre: Action, Adventure, Science Fiction
Vintage: Yes