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Fault Lines: Cultural Memory And Japanese Surrealism

Description: Please refer to the section BELOW (and NOT ABOVE) this line for the product details - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Title:Fault Lines: Cultural Memory And Japanese SurrealismISBN13:9780804736497ISBN10:0804736499Author:Sas, Miryam (Author)Description:How Can A Movement Like Surrealism Be Transferred, Transplanted, Or Transported From One Culture To Another, One Language To Another? This Book Traces The Creative Dialogue Between France And Japan In The Early Twentieth Century, Focusing On Surrealist And Avant-Garde Writings It Opens A Theoretical Treatment Of Cultural Memory, Influence, Visuality, Writing, Nostalgia, And Nation To Suggest A New Perspective For The Reading Of Modern Japanese Culture And Cross-Cultural Interactions The Author Argues That The Problem Of Literary Influences Should Be Recast As A Problem Of Cultural Memory, Where Analysis Of Causes And Effects Gives Way To A Deeper Analysis Of Displacements And Aftershocks, Which She Calls Cultural Fault Lines The Book Analyzes The Writings Of Takiguchi Shuzo, Nishiwaki Junzaburo, Kitasono Katsue, And Others Whose Work Was Associated Explicitly With The Surrealist Movement In Japan It Also Incorporates Readings Of Other Experimental Works And Postwar Performances That Reflect The Wider Impact Of These Avant-Garde Ideas The Author Argues That A Vision Of Alterity, A Foreign Space Located Somewhere Beyond, Plays A Crucial Role In Formulations Of Avant-Garde Praxis In Both The Japanese And French Contexts Here Exploration Of Japanese Notions Of The Surreal, Calling For A Rereading Of Received Notions About French Avant-Gardes, Leads To A Reconfiguration Of This Period, Written Less As A Narrative History Of Literature Than As The Nonlinear Route Of A Multivalent Dialogue Japanese Surrealism Is Important Both For The Specific Questions It Raises And For Its Exemplary Place As An Encounter Between Cultures, Literary Movements, And Languages As A Movement That Challenges And Breaks Apart Clear And Bounded Conceptions Of Language, Poetry, And The Transmissibility Of Meaning, Japanese Surrealism Reframes The Relation Between Content And Consciousness And Is Thus A Particularly Strong And Revealing Case Of Cultural Interaction What This Avant-Garde Encounter Makes Apparent Is That Inherent Discontinuities And Fragmentations Within Individual Cultures Can Also Become Crucial Opportunities For Productive Intersections Between Distant Realities And Distant Cultures Binding:Paperback, PaperbackPublisher:Stanford University PressPublication Date:2002-02-01Weight:0.82 lbsDimensions:0.66'' H x 9.02'' L x 6'' WNumber of Pages:272Language:English

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Location: USA

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Fault Lines: Cultural Memory And Japanese Surrealism

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Book Title: Fault Lines: Cultural Memory And Japanese Surrealism

Item Length: 9in

Item Height: 0.6in

Item Width: 6in

Author: Miryam SAS

Publication Name: Fault Lines : Cultural Memory and Japanese Surrealism

Format: Trade Paperback

Language: English

Publisher: Stanford University Press

Series: Cultural Memory in the Present Ser.

Publication Year: 2002

Type: Textbook

Item Weight: 13.2 Oz

Number of Pages: 272 Pages

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