Luthier's Library on DVD: Violin/Fiddle Making,Restoration,Repair,Varnish,Tone

Description: __________________________________________ Gift Quality Computer DVD with Books in pdf TO BE PLAYED ONLY on a Windows, Mac or Linux COMPUTER or TABLET You will receive a Computer DVD - You will not receive physical books ____________________________________________ Make no mistake,this is the best collection on the Violin.Over 170 eBookswith all the masterworks in English, French and German: THE LIBRARY OF THE VIOLIN2nd. Edition A Professional Edition by Etelond Publishers How to Make, Repair, Restore, Varnish, ToneHistory, Makers, MasterpiecesViolin Playing Courses, Techniques, Exercises NOTICE: Etelond Publishers is the first to have published this Violin Library, afterwards many eBay sellers tried to imitate the item, some unscrupulous ones copied the DVD and the listing,they usually mail you a disk with a label without art work THE eBOOKS INCLUDED IN THE DVD ARE LISTED BELOW,for a few of the eBooks the contents is detailed in blue letters(to give full details would take dozens of pages): VIOLIN MAKING - LUTHERIE 1. A Review of Ancient & Modern Violin Making, W. W. Oates, 18992. Violin Making, As It Was & Is, E. Heron-Allen, 2nd ed., 1885Part I. Historical. Ch I. The ancestry of the violin. Ch II. The Welsh crwth. Ch III. Biographical. Ch IV. The bow. Ch V. The violin, its vagaries and its variegations. Part II. Theoretical. Ch VI. The wood. The Model. VIII. The back, belly and sides. Ch VIII. The interior of the violin. Ch IX. The exterior of the violin. Ch X. The varnish. Ch XI. Fittings and appliances. Ch XII. The strings.Part II. Practical. Ch XIII. The tools. Ch. XIV. The outside mould. Ch XV. The sides, or robs, and side-linings. Ch XVI. The tables: Back and belly. Ch XVII. The back. Ch XVIII. The belly. Ch XIX. Purpling and finishiong the body. Ch XX. The neck and the scroll. Ch XXI. The Guarnerius model, whith whole tables on an inside mould. Ch XXII. Varnishing and fitting up. Ch XXIII. Repairs. Appendices. Materials used in varnishing the violin. The preservation of the instrument. The bibliography of the violin. A catalogue of violin schools and instruction books. An historic violin school. 3. Violin Making, by W. H. Mayson, 2nd ed., 1909Introduction. Ch I. Selection of wood. Ch. II. The back. Ch III. Purfling. Ch IV. Bending the purfling. Ch V. Modelling the back. Ch VI. Working out the back. Ch VII. The belly. Ch VIII. Thickness of the belly. Ch IX. The soundholes. Ch X. The bass bar. Ch XI. The ribs. Ch XII. Fixing the ribs, etc. Ch XIII. Fixing the belly. Ch XIV. The scroll. Ch XV. Fixing neck, fingerboard, etc. Ch XVI. Of Varnish and varnishing. Ch XVII. Fitting up for use. Ch XVIII. Conclusion.4. How to Make a Violin, J. Broadhouse, rev. ed., circa 1900Introduction. Ch I. The parts of the violin. Ch II. On the selection of the wood. Ch III. The tools required. Ch IV. The models. Ch V. The mould. Ch VI. The side-pieces and side-linings. Ch VII. The back. Ch VIII. The belly. Ch IX. The thickness of the back and belly. Ch X. The bass bar. Ch XI. The purfling. Ch XII. The neck. Ch XIII. The fingerboard. Ch XIV. The nut and the tail piece nut. Ch XV. Varnishing and polishing. Ch XVI. Varnishes and colouring matter. Ch XVII. The varnish. Ch XVIII. A mathematical method of constructing the outline. Ch XIX. The remaining accessories of the violin.5. The Art of Fiddle Making, J. Broadhouse, 19096. Violins & Other Stringed Instruments - How to Make Them, P. N. Hasluck, 1907Ch I. Materials and tools for violin making. Ch II. Making violin moulds. Ch III. Violin making. Ch IV. Varnishing and finishing violins. Ch V. Double bass violin and violoncello. Ch VI. Japanese one-string violins. Ch VII. Mandoline making. Ch VIII. guitar making. Ch IX. Banjo making. Ch X. Zither making. Ch XI. Dulcimer Making.7. The Violin - A Concise Exposition of the General Principles of Construction, P. Davidson, 1871Ch I. The early history of the instrument. Ch II. Theoretical principles of construction. Ch III. Experimental researches upon the theory of violin construction, by the illustrious Savart, as given in the French apper "L' Institut". Ch IV. Remarks upon the foregoing theories of Savart, relative to the violin. Ch V. The construction of the instrument. Ch VI. Mathematical method of modelling and constructing the violin. Ch VII. Description of Savart's box-fiddle. Ch VIII. The appearance, qualities, etc., of the violins of the most celebrated makers, including an epitome of the lives of those eminent artists. Ch IX. The bow, the rosin and the strings. Ch X. Varnishes, stains, etc. Miscellanea. Alphabetical list of violin makers. Appendix.8. The Violin, Is Construction, Theoretically & Practically Treated, P. Davidson, 5th ed., 18959. The Violin & the Art of Its Construction - A Treatise on the Stradivarius Violin, A. Riechers, 189510. Treatise on the History & Construction of the Violin, G. Foucher, new rev. ed., 189711. Notes on the Construction of the Violin, W. B. Coventry, 190212. Facts About Violins & Violin Making, H. Tietgen, 190413. Etudes & Observations sur la Lutherie Ancienne & Moderne, M. Riquelme, 186814. L' Art du Luthier, A. Tolbecque, 190315. La Chelonomie ou Le Parfait Luthier, L' Abbé Sibire - N. Lupot, 188516. Les Luthiers Italien, Nouvelle Edition du Parfait Lutier, Les Maitres de Diverses Ecoles, J. Gallay, 186917. Manuel du Luthier, J. C. Mauguin, 183418. Nouveau Manuel Complet du Luthier, J. C. Maugin & A. W. Maigne, 186919. La Lutherie Artistique, L. Mordret, 188520. Progress in Violin Making, G. Gemunder, 188221. The Violin & Its Story, or the History & Construction of the Violin, H. Abele, 1905Part I. The most ancient form of bowed instruments: The ravanastron, the rebek, the crouth. Introduction to the rebek into Western Europe by the Arabs. The gradual development of the rebek from the X century to the XV century. Condition of the instrumental music in the Middle Ages. XVI century authors of music: Virdung, Judenkunig, etc. Pretorius on stringed instruments at the beginning of the XVI century.Part II. The oldest master of the art of the lute-maker: Joan Kerling, 1449; Pietro Dardelli, 1500; Kaspar Duiffroprugar, 1510; etc.. School de Brescia. The first violin makers: Gaspar da Salo, J. P. Maggini, etc. School of Cremona: The Amati, Antonio Stradivario, Gisuseppe Guarnerio. Pupils of these masters. The schools of Milan, Venice, etc. The German school: Jacobus Stainer, Albani, M. Klotz, etc. Founding of the art at Mittenwald. German masters who followed the Italians, or copied Stainer. French masters: Lupot, Gand, Vuillame. The fortunes of the art of violin making, from Stainer to the present time. The experiments of the various master; Savart’s investigations. The decline of the violin maker’s art and its causes.Part III. The chief constituent parts of the violin: 1. The Strings: Vibration, flexibility, weight, length elasticity, harmonics. Tartini’s combination-tones. Conditions of pitch, strength and quality of tone. Gut-string manufacture in Italy and Germany. Practical hints. 2. The Tone Producing Body: The conditions under which the tone is strengthened, not only by the vibration of air, but by the vibration of the wood itself. Molecular vibration of belly and back. Practical advice for selecting the best materials for belly, back and sides. The divisions of thickness of wood for belly and back. Anton Bagatella’s rules. 3. Bass-bar, sound-post and bridge: The gradual perfection of bass-bar and bridge. The neck, the fingerboard, the nut, the tailpiece, the varnish. The bow and its gradual development, up to the highest form by Tourte. Concluding remarks.22. Die Violine irhe Geschichte & irr Bau, S. Abele, 1864 (original German edition of the above work) 23. The Violin - How to Choose One, Professional Player, 1893 THE BOW 1. The Bow, Its History, Manufacture & Use, H. Saint-George, 1909Part I. The History of the Bow. Ch I. Origin of the instruments. Frictional vibration. The bow distinct from the plectrum. The trigonon. Bowing with various objects. Ch II. Oriental origin of the bow. Indian, Chinese and other Eastern bowed instruments. Ch III. The crwth. Fleming Etruscan ravanatron. The medieval bow. Unrealibility of early drawings and sculptures. Ch IV. The beginnings of the modern bow. Ornamentation. A possible Stradivari bow. The moveable nut. The cremailliere. The screw nut. Ch V. Vuillaume’s facts. The ferrule and slide. John Dodd. Ch VI. Dr. Selle’s recollections of Dodd. His work and poverty. Dodd and Tourte. The calculation of Fetis and Vuillaume. Ch VII. Lupot. Peccate. Spurious stamping. Panormo. W. J. B. Woolhouse’s calculations. Ch VIII. A list of makers. Part II. Bow Making. Ch IX. Materials. Brazil wood. Horsehair. The action of rosin. Ch X. Qualities essential in a bow maker. Shaping the stick. Setting the cambre. The faces. The trenches. The nut. Ch XI. Possible repairs. Splicing. Renewing cups. Restoring the nut. Re-facing. Ch XII. Re-lapping. Re-hairing. Choice of robin. Ch XIII. The perfection of the modern bow. Dr. Nicholson’s patent bow. Vuillaume’s inventions. Sel-hairing bows. A folding bow. The Ketteridge bow.Part III. The Act of Bowing. Ch XIV. The undecided aspect of the technique. Importance of a knowledge of the anatomy of the hand. The function of the thumb. Individuality in technique. Ch XV. Bowing historically considered. The oldest English violin method. Sympson’s instructions in bowing. Those of Mace (1676). Those of various modern masters. Ch XVI. The fingers of the right hand. Differences of opinion thereon. Sautille. The loose wrist. Ch XVII. The importance of the slow bow. The rapil whole bow. Staccato. Bowing studies and solos. Conclusion. VIOLIN TONE 1. Violin Tone & Violin Makers, H. Moya & T. Piper, 19162. Violin Tone Peculiarities, F. Castle, 19063. A Method for the Qualitative Analysis of Musical Tone, P. H. Edwards, 1911 VIOLIN REPAIR & RESTORATION 1. Adjusting & Repairing Violins & Cellos, A. Broadley, 1908Preface. Ch I. Introduction. Ch II. Adjusting a cello. Ch III. Restoring an old violin: Cleaning. Removing superfluous glue. Removing the upper table or belly. Removing the bass-bar. Repairing the upper table. Repairing the corners of the upper table. Affixing studs. Ch IV. Inserting a new bass-bar: Re-fixing the upper table. Preparing new wood for varnishing. Colouring and varnishing. Ch V. Cutting and fitting a sound post.Ch VI. Repairing the ribs: Cleaning the interior. Removing glue and cotton-rag. The principles of gluing. Closing fractures in the ribs. Ch VII. Grafting a new neck: Removing the old neck. Strengthening and enlarging the buttom. Grafting a new neck. Setting-out the neck. The slope of the neck. Ch VIII. Fixing the neck and the fingerboard: Gluing and clamping the neck. Preparing and gluing the fingerboard. Wetting before varnishing. Staining and varnishing. Ch IX. Varnishing: Preparing. Moistening. Varnish. Varnishing. Polishing. Ch X. The sound-post. Ch XI. Repairing a bulge in the back: Removing the back. Making a shape to fit the hollow. Affixing the new piece. Working-down the new wood. Finishing. Ch XII. Inserting a piece in the upper table: Choice of wood. Direction of grain in the upper table. Preparing the fracture for the new piece. Mounting-board for the upper table. Colouring the dull-polishing. Ch XIII. Purfling: Tracing the lines. Cutting the lines. Bending and inserting the purfling. Conclusion.2. The Repairing & Restoration of Violins, H. Petherick, 1903Ch I. Introductory.Ch II. Slight accidents. Modern restorer.”Chattering". The proper sort of glue. Its preparation and use. Ch.III. Minor repairs. Cramps and Joints. Violin cases. Rattles and jars. Loose fingerboards. Atmospheric temperature. Old-fashioned methods of repairing. Modern ways. A loose nut.Ch IV. Injuries to the head or scroll. Insertion of fresh wood. Coloring of white wood. Separation of head from peg-box and re-joining. Stopping material for small holes or fractures. The peg-box cracked by pressure.Ch V. Fracture of peg-box and shell. Chips from this part. Filling up of same. Restoration to original form, after parts have been lost. Worn peg-holes, re-filling or boring same.Ch VI. Loosening of junction of graft with peg-box, and refixing same. Grafting, different methods of performing this. Lengthening the neck. Old and modern method. Renewal of same. Inclination of neck and fingerboard with regard to the bridge. Height of latter, and reason for it.Ch VII. Finishing the fingerboard. Fixing the nut. Size and position of grooves for the strings. Filing down the graft. Smoothing, coloring, and varnishing same.Ch VIII. Injuries that can be repaired from the outside. Insertion of fresh Wood in fracture of the ribs. The effects of climate on the glue in violinsCh IX. The glue used by the early Italian makers. Insertion of pieces of wood for repairing lost parts. Replacing lost rib and repairing interior without opening when possible. Securing loose lower rib to end block. DifferentmMethods. Treatment of worm-hole. Fixing on graft on neck.Ch X. Ways of removing the upper table and the neck. Cleansing the interior. Preservation of the original label. Closing of Cracks in Upper TableCh XI. Getting parts together that apparently do not fit. The use of benzine or turpentine. Treatment of warped or twisted lower tables.Ch XI. Removal of old superfluous glue by damping. Replacing old end blocks by new ones. Temporary beams and joists inside for keeping ribs, etc., in position while freshly glued.Ch XIII. Re-opening the back to correct the badly repaired joint. A few words on stud. Filling up spaces left by lost splinters. Matching wood for large cracks, etc.Ch XIV. Repairing lost portions. Margins of sound holes. Matching the grain. Fixing and finishing off. Replacing with fresh wood large portions of upper table. Lost parts of purfling. Restoring it with old stuff.Ch XV. Repairs to purfling (continued). Filling up an opening extending to the whole length of the violin. Fitting the core. Fixing it in position and retaining it there. Finishing the surface. Ch XVI. Repairing undertaken by people in business not connected with that of bowed instrument. Removal of a fixed sound post. Fitting a fresh part of worm-eaten rib. Bringing together the loosened joint of the back without opening the violin.Ch XVII. Insertion of studs along the joint inside without opening the violin. Lining or veneering a thin back.Ch XVIII. The bar in olden times. The modern one. The operation of fitting and fixing the bar. Closing and completion of the repair. Varnishing of the repaired parts having fresh wood. VIOLIN VARNISH 1. Violin Varnish & How to Make It, E. Fenning, 19112. Cremona Violins & the True Varnishes of the Great Cremona Masters, C. Reade, 18733. The Varnishes of the Italian Violin Makers of the 16th & 17th Centuries & their Infuence on the Tone, G. Fry, 1904 VIOLIN MAKERS & LUTHIER SCHOOLS 1. The Violin - Its Famous Makers & their Imitators, G. Hart, 1875Sec I. The early history of the violin. Sec II. Tue construction of the violin. Sec III. Italian and other strings. Sec IV. The Italian School. Sec V. The Italian varnish. Sec VI. Italian makers. Sec VII. the French School. Sec VIII. French makers.Sec IX. The English School. Sec X. English makers. Sec XI. The German School. Sec XII German and Dutch makers. Sec XIII. The violin and its votaries. Sec XIV. Sketch of the progress of the violin. Sec XV. Anecdotes and miscellanea connected with the violin.2. A Short Historical Sketch of Various Violin Schools, Sherman, Clay & Co. Catalogue, circa 19003. Historical Sketch of the Violin & Its Master Makers, Lyon & Heal Catalogue, 19014. Violins Old & New, J. Broadhouse, 3rd ed., circa 19005. The Violin - A Condensed History - Its Perfection & Its Famous Makers, C. Goffrie, 18766. The Fiddle Fancier's Guide - A Manual on Violin, Violas, Basses & Bows, J. M. Fleming, 2nd ed., 18927. La Lutherie et Les Luthiers, A. Vidal, 1889, without plates8. Old Violins & Violin Lore, H. R. Haweis, 18989. The Value of Old Violins - List of Principal Violin Makers, E. Polonaksi, 191210. A History of Violin Makers, & Evolution & Decline in Italy 1540-1800, The Hawley Collection of Violins, circa 190011. Italian Violin Makers, K. Jalovec, circa 190012. Les Violons de Crémone, L. Mordret, 189813. Cremona - An Account of the Italian Violin Makers & their Instruments, F. Niederheitmann, 189414. Cremona - Eine Charakteristik der Italenischen Geigenbauer & ihrer Instrumente, F. Niederheitmann, 1919 (German edition of the above work)15. Notes on the Italian Violin & Its German Origin, E. Shebeck, circa 190016. British Violin Makers, W. M. Morris, 2nd ed., 192017. A Treatise on the Structure & Preservation of the Violin, etc. & Celebrated Makers, J. A. Otto, 2nd ed., 186018. La Lutherie, R. Fissore, 190019. Le Violon - Lutherie, Oeuvres, Biographies, par A. Bachmann, 190620. Gaspard Duiffoproucart & le Luthiers Lyonnais du XVI siecle, H. Coutagne, 189321. Arts & Craft Book of the Worshipful Guild of Violin Makers of Markneukirchen, 1677-1772, Richard Pelon extractor, 189422. Violins & Violin Makers - A Biographical Dictionary of the Great Italian Artists & Their Followers & Imitators, J. Pearce, 186623. A Dictionary of Violin Makers, C. Stainer, 189624. Dictionnaire du Violiniste, suivi Violinistes Celebres & Luthiers les Plus Connus, H. Vercheval, 192325. Die Geigen & Lautermacher - Alphabetisches Verzeichnis - Brandmarken & Geigenzettel, W. L. Lutgerndorff, 192226. Die Geigen-Und Lautenmache, W. L. F. Von Lutgendorff, 190427. The Violinist's Guide on the Violin American Industry, The Violinist Publishing, 1916 GUARNERI 1. Joseph Guarnerius - His Work & His Master, H. Petheric, 19062. Une Familie de Grands Luthiers Italiens - Les Guarnerius, A. Pouguin, 1909 STRADIVARI 1. Antonio Stradivari - His Life & Work, 1644-1737, W. H. Hill, A. F. Hill & A. E. Hill, 2nd ed., 19092. Antonio Stradivari, H. Petherick, 2nd ed., 19133. Notice of Anthony Stradivari - The Celebrated Violin Maker, F. J. Fétis, 18644. Antoine Stradivari - Luthier Célébre, F. J. Fétis, 1856 (original French edition of the above work)5. Stradivaris Geheimniss, C. Schulze, 1901 MATERPIECES, COLLECTIONS, CATALOGS 1. Rare Old Violins, Violas & Violoncellos, Lyon & Healey Catalogue 28th ed., 19172. The Salabue Stradivari or 'Le Messie', Hill & Sons, 18913. 'The Tuscan' Stradivari, Hill & Sons, 18914. Les Instruments des Ecoles Italiennes - Catalogue, J. Gallay, 18725. Masterpieces of the Great Violin Makers, Wurlitzer Catalogue, 19176. Rare Old Violins, Kohler & Chase Collection Catalogue, circa 1900 HISTORY OF THE VIOLIN 1. Researches into the Early Story of the Violin Family, C. Engel, 18832. The History of the Violin , W. Sandys & S. A. Forster, 18643. The Story of the Violin, P. Stoeving, 19154. The Ancestry of the Violin, H. Allen, 18825. Les Ancetres du Violon e du Violoncelle - Les Luthiers et Le Fabricants De Archets, T I, L. Grillet, 19016. Les Ancetres du Violon e du Violoncelle - Les Luthiers et Le Fabricants De Archets, T II, L. Grillet, 19017. The Instruments of the Modern Orchestra & Early Records of the Precursors of the Violin, Vol I, K. Schlesinger, 19108. The Instruments of the Modern Orchestra & Early Records of the Precursors of the Violin, Vol II, K. Schlesinger, 19109. Les Instruments a Archet, T II, A. Vidal, 187710. Les Instruments a Archet, T III, A. Vidal, 187711. The Violin, G. Dubourg, 5th ed., 187812. The Violin & Its Music, G. Hart, 188513. Chats on Violins, O. Racster, circa 190014. Storia del Violino, A. Untersteiner, 190615. The Heart of the Music, A. A. Chapin, 190616. De Fidiculis Bibliographia, Vol I, E. Heron-Allen, 189017. De Fidiculis Bibliographia, Vol II, E. Heron-Allen, 1890 FAMOUS VIOLINISTS 1. Famous Violinists & Fine Violins, T. L. Phipson, 18962. Biographical Sketches & Anecdotes of Celebrated Violinists, T. L Phipson, 18773. Celebrated Violinists, A. Ehrlich, 18974. Famous Violinists of Today & Yesterday, H. C. Lahee, 18995. Great Violinists & Pianists, G. T. Ferris, 18926. Musical Notes - The Great Composers - Violinists & the Violin - The Violin & Its History, W. Adye, 18697. The Romance of the Fiddle -The Origin of the Modern Virtuoso, E. Van Der Straeten, 19118. Die Violine & Ihre Meister, W. J. von Wasielewski, 1904 PAGANINI 1. Biographical Notice of Nicolo Paganini with an Analysis of his Compositions, F. J. Fetis, 2nd ed, circa 19002. Notice sur le Celebre Violiniste Nicolo Paganini, G. I. de Laphaleque, 18303. Niccolo Paganini - Celebre Violinista Genovese, O. Bruni, 2a ed., 19034. Nicolo Paganini und die Geigenbauer, E. Polko, 18765. Paganini - Eine Biographie, J. Kapp, 19226. Paganini's Leben und Treiben, J. M. Gchottfn, 18307. Vita di Niccolo Paganini da Genova, G. Conestabile, 1851 VIOLIN PLAYING - COURSES & TECHNIQUES 1. The Violin, B. Tours, circa 19002. The Violinist's Manual. H.F. Gosling, circa 19003. True Principles of the Art of Violin Playing, G. Lehamnn, 19014. Violin Playing & Violin Adjustment, J. Winram, 19085. Violin Playing, J. Dunn, 3rd ed., 19156. Violin Playing as I Teach It, L. Auer, 19227. Modern Violin Playing, S. B. Grimson & C. Forsyth, 19208. Handbook of Violin Playing, C. Schroeder, 4th ed., circa 19009. The Technics of Violin Playing, K. Courvosier, 188010. The Technique of the Violin & the Art of Musical Interpretation, R. Scholtz, 190011. Violin Teaching & Violin Study, E. Gruenberg, rev. ed., 191912. How to Master the Violin, P. L. Bytovetzki, 191713. How to Play the Fiddle, H. W. & G. Gresswell, New ed., 190814. A New Theory of Fingering - Paganini & His Secret, A. Jarosy, 193315. The Mastery of the Bow & Bowing Subleties, P. Stoeving, 192016. Violinschule - Violin School, Vol I, J. Joachim & A. Moser, 190517. Violinschule - Violin School, Vol II, J. Joachim & A. Moser, 190518. Violinschule - Violin School, Vol III, J. Joachim & A. Moser, 190519. School of Intonation on an Harmonic Basis for Violin, Book I, O. Sevcik, 192220. School of Intonation on an Harmonic Basis for Violin, Book II, O. Sevcik, 192221. School of Intonation on an Harmonic Basis for Violin, Book III, O. Sevcik, 192222. School of Intonation on an Harmonic Basis for Violin, Book IV, O. Sevcik, 192223. Spohr Violin School, British Edition, 184324. Spohr Violin School, American Edition 185225. Violin Vibrato, S. Eberhardt, 191026. Violin Self-Teaching, Winner School, 189327. True Violinist - Violin without a Teacher, Ryan, circa 190028. Violin Teacher, Jewett, 185129. Violin Textbook & Rudimentary Theory of Music, M. C. Wickins, 190430. The Violin-How to Master It, Howe Co., circa 190031. The Secrets of Violin Playing, Professional Player, 8th ed., circa 190032. A Treatise on the Violin, J. Paine, circa 190033. Chats to Violin Students on How to Study the Violin, J. T. Carrodus, 3rd ed., 191134. Violin Talks - A Book for Teachers & Students, L. Winn, 190535. Violin Mastery-Talks with Master Violinists & Teachers, F. H. Marten, 191936. The Violin & Its Most Eminent Professors, G. Dubourg, 185237. Die Violine im XVII Jahrhundert & die Anfange de Instrumental Composition, W. J. von Wasielewski, 187438. Geschichte des Instrumental-Violin-Konzerts bis A. Vivaldi, A. Scherin, 190339. Geminiani - The Violin Preceptor or Compleat Tutor, Geminiani & Philpotm 1687-176240. Geminiani - New & Compleat Instructions for the Violin, Geminiani, 1687-176241. Lesson to Performers on the Violin, G. Tartini, 1692-1770 VIOLIN PLAYING - EXERCISES, STUDIES, CAPRICIOS, ANALYSIS, INTERPRETATIONS 1. Analysis & Interpretation of Eighteen Violin Compositions, American Teachers, 19112. Scale-Studies for the Violin, J. Hrimal, 19053. Notable Violin Solos - How to Play Them, E. Van Der Straeten4. Selected Violin Solos & How to Play Them, B. Althaus, 19055. Studies for the Violin, H. Sitt, Op. 12, 18956. Thirty-Six Elementary & Progressive Studies for the Violin, H. E. Kayser, Op. 207. Twenty Progressive Exercises for the Violin, J. Dont Op. 38, 18908. Forty Selected Studies for the Violin, F. Mazas, Op. 36, 19019. Forty Two Studies or Caprices for the Violin, R. Kreutzer, Ed. by Kross, 189310. Sixty Studies for the Violin, F. Wohlfahrt, Op. 45, 190211. Twenty-Four Caprices for the Violin, P. Rode, 190012. Twenty-Four Studies for the Violin, P. Gavinies, 191013. Alte Meister des Violinspiels, A. Schering, circa 190014. Notes et Souvenirs , C. Dancla, 189315. Duos Faciles et Progressifs pour Deux Violons, C. Dancla, 190016. How to Prepare for Kreutzer, E. L. Winn, 191017. How to Study Kreutzer, B. Cutter, 190318. How to Study Fiorillo, E. L. Winn, 191319. The Violin Music of Beethoven, J. 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