Description: WELLS CATHEDRAL – The Lady Chapel Artist: R. Garland ____________ Engraver: B. Winkles CLICK HERE TO SEE MORE 19th CENTURY ANTIQUE PRINTS LIKE THIS ONE!! PRINT DATE: This engraving was printed in 1838; it is not a modern reproduction in any way. PRINT SIZE: Overall print size is 6 x 9 inches, image size is 4 3/8 by 5 1/2 inches. PRINT CONDITION: Condition is excellent. Bright and clean. Blank on reverse. Paper is quality woven rag stock paper. SHIPPING: Buyer to pay shipping, domestic orders receive priority mail, international orders receive regular air mail unless otherwise asked for. Please allow time for personal check to clear. We take a variety of payment options. Full payment details will be in our email after auction close. We pack properly to protect your item! PRINT DESCRIPTION : Wells Cathedral is a Church of England cathedral in Wells, Somerset, England. It is the seat of the Bishop of Bath and Wells, who lives at the adjacent Bishop's Palace. Built between 1175 and 1490, Wells Cathedral has been described as “the most poetic of the English Cathedrals”. Much of the structure is in the Early English style and is greatly enriched by the deeply sculptural nature of the mouldings and the vitality of the carved capitals in a foliate style known as “stiff leaf”. The eastern end has retained much original glass, which is rare in England. The exterior has a splendid Early English façade and a large central tower. The first church was established on the site in 705. Construction of the present building began in the 10th century and was largely complete at the time of its dedication in 1239. It has undergone several expansions and renovations since then and has been designated by English Heritage as a grade I listed building. The present structure was begun under the direction of Bishop Reginald de Bohun, who died in 1184. The interior of the cathedral is based on three aisles, with stress being placed on horizontal, rather than vertical lines. A unique feature in the crossing are the double pointed inverted arches, known as owl-eyed strainer arches.[32] This unorthodox solution was found by the cathedral mason, William Joy in 1338,[33] to stop the central tower from collapsing when another stage and spire were added to the tower which had been begun in the 13th century.[34] The capitals in the south west arm of the transept include depictions such as a bald-headed man, a man with toothache, a thorn-extractor, and a moral tale: fruit thieves being caught and punished. The west façade, is 100 feet (30 m) high and 150 feet (46 m) wide with niches for more than 500 medieval figure sculptures of which 300 survive. Between 1975 and 1986 the west front underwent a major cleaning and restoration programme, including Silane coating and Lime treatment for many of the statues. The West front is composed of a yellow stone, inferior oolite, of the middle Jurassic era which came from the Doulting Stone Quarry about 8 miles (13 km) to the East. Wells Cathedral contains one of the most substantial collections of medieval stained glass in England. Many of the windows were damaged by soldiers in 1642 and 1643. The oldest surviving are two windows on the west side of the Chapter House staircase date from 1280-90, and two windows in the south choir aisle which are from 1310–1320. The Lady Chapel range is from 1325–1330, and includes images of local saint Dunstan, however the east window underwent extensive repairs by Thomas Willement in 1845. The choir east window is a fine Jesse Tree, which includes significant silver stain, and is flanked by two windows each side in the clerestory, with large figures of saints, all of which are from 1340–1345. The 1520 panels in the chapel of St Katherine are attributed to Arnold of Nijmegen and were acquired from the destroyed church of Saint-Jean, Rouen, the last panel was bought in 1953. The large triple lancet to the nave west end was glazed at the expense of Dean Creyghton at a cost of £140 in 1664 and repaired in 1813. The central light was largely replaced to a design by Archibald Keightley Nicholson between 1925–1931. The main north and south transept end windows are by Powell, and were erected in the early 20th century.[4] The brass lectern in the Lady Chapel is from 1661 and has a moulded stand and foliate crest. In the north transept chapel is a 17th century oak screen with columns, formerly part of cow stalls, with artisan Ionic capitals and cornice, which is set forward over chest tomb of John Godilee. There is a bound oak chest from the 14th century which would have been used to store the Chapter Seal and key documents. The Bishop's Throne dates from 1340, and has a panelled, canted front and stone doorway, and a deep nodding cusped ogee canopy over it, with 3 stepped statue niches and pinnacles. The throne was restored by restored by Anthony Salvin around 1850. Opposite the throne is a 19th century pulpit, which is octagonal on a coved base with panelled sides, and steps up from the north aisle. The round font in the south transept is from the former Saxon cathedral, it has an arcade of round-headed arches, on a round plinth and a cover made in 1635 cover with heads of putti round sides. The Chapel of St Martin is a memorial to every Somerset man who fell in World War I. The monuments and tombs include: Bishop Giso, died 1088 Bishop Bytton died 1274 Bishop William of March, died 1302 John Drokensford, died 1329 John Godelee, died 1333 John Middleton, died c1350 Ralph of Shrewsbury, died 1363 Bishop Harewell died 1386 William Bykonyll died c1448 John Bernard, died 1459 Bishop Bekynton, died 1464 John Gunthorpe, died 1498 John Still died 1607 Robert Creyghton died 1672 Bishop Kidder, died 1703 Bishop Hooper, died 1727 Bishop Harvey died 1894 The clockThe Wells clock is an astronomical clock in the north transept. The surviving mechanism, dated to between 1386 and 1392, was replaced in the 19th century, and was eventually moved to the Science Museum in London, where it continues to operate. It is the second-oldest surviving clock in England. The dial represents the geocentric view of the universe, with sun and moon revolving round a central fixed earth. It still has its original medieval face, and may be unique in showing a philosophical model of the pre-Copernican universe with the earth at its centre. As well as showing the time on a 24 hour dial, it also reflects the motion of the sun and the moon, the phases of the moon, and the time since the last new moon. When the clock strikes every quarter, jousting knights move around above the clock and the Quarter Jack bangs the quarter hours with his heels. An outside clock opposite Vicars' Hall, placed there just over seventy years after the interior clock, is connected with the inside mechanism. The first record of an organ dates from 1310, with a smaller organ, probably for the Lady Chapel, being installed in 1415. In 1620 a new organ, built by Thomas Dallam was installed at a cost of £398 1s 5d, however this was destroyed by soldiers in the Monmouth rebellion and another new organ was built in 1662, which was enlarged in 1786, and again in 1855. In 1909–1910 a new organ was built by Harrison & Harrison with the best parts of old organ retained, and this has been maintained by the same company since. A FINE EXAMPLE OF MEDIEVAL EUROPE ARCHITECTURE ! VERY HARD TO FIND!
Price: 9.99 USD
Location: New Providence, New Jersey
End Time: 2024-11-25T15:49:12.000Z
Shipping Cost: 7.95 USD
Product Images
Item Specifics
Restocking Fee: No
Return shipping will be paid by: Buyer
All returns accepted: Returns Accepted
Item must be returned within: 14 Days
Refund will be given as: Money Back
Type: Print