Strymon Flint V2 Next Generation Tremolo & Reverb effects pedal

Description: Strymon Flint V2 Next Generation Tremolo & Reverb effects pedal A Perfect Gentleman. The magical combination of tremolo and reverb is the earliest example of a perfect guitar effects marriage. First pioneered within historic amplifiers of the 1960s, this harmonious coexistence has made its way onto countless records and performances — from early surf, swampy bayou blues, spaghetti westerns and film noir soundtracks, to modern day indie rock. As music moves forward, guitarists continue rediscovering the inspiration provided by this perfect pair. Flint is a studio-class effects pedal that delivers this classic combination. We carefully studied our favorite classic tremolo and reverb circuits, examined the sonic complexities and faithfully accounted for every detail in our hand-crafted algorithms. Flint is essentially two pedals in one, with tremolo on one half and reverb on the other. From A Classic Era. Flint gives you the pulsating, soothingly hypnotic effects pioneered in vintage amplifier tremolo circuits, along with three classic and completely unique reverb algorithms. On the tremolo side of the pedal you can choose between the sonically complex ’61 Harmonic Tremolo, the swampy and sultry ’63 Power Tube Tremolo, and the sharp and balanced ’65 Photocell Tremolo. On the reverb side you can select the classic ’60s Spring Tank Reverb, the inventive ’70s Electronic Plate Reverb, or the nostalgic ’80s Hall Rack Reverb. With nine parameters to tweak, you get extensive control over the tremolo and reverb characteristics. Go from splashy, pulsing twang, to throbbing, swampy blues, all the way to ambient, trembling, and serene reverberated pads. Couple that with true bypass, and a premium quality analog front end and output section, and you have the history of tremolo and reverb in a pedalboard friendly format. MIDI Full MIDI implementation means you can control just about every switch, knob, and setting remotely by sending MIDI commands from your controller or DAW via Flint’s EXP/MIDI jack or USB-C connection. Tremolo speed can be synchronized via MIDI Clock Sync, and the sync setting can be saved for each preset. 300 MIDI preset locations are available for loading and saving your favorite settings. Hardware Improvements A premium analog JFET input circuit ensures superb responsiveness to your playing, and you can select mono or stereo input with the flick of a rear panel switch. All this, plus a new ARM DSP chip provides more processing power for every sonic nuance, with less energy consumption on your pedalboard. Extended Control Love slow tremolo? The Speed knob range has been expanded to slow the tremolo down to nearly 1Hz at its minimum setting. On the reverb side, pre-delay time is now adjustable. A Unique Rarity. The ’61 Harmonic Tremolo is somewhat rare due to its very short period of availability in tube amplifiers in the early 1960s. It gets its signature sound through a dual-band filtering effect that alternately emphasizes low and high frequencies. The end result is a soothing pulse that has shades of a mild phaser effect combined with tremolo, due to the nature of the frequency bands that are alternated. Totally Tubular. The ’63 Power Tube Tremolo utilized the LFO signal to directly influence the power tube bias of the amplifier’s push-pull output stage. The power tubes are biased into lower and higher idle currents, creating the fluctuating gain that produces the tremolo effect. The effects of crossover distortion at low tremolo volumes, increased power tube harmonic distortion at maximum tremolo volumes, as well as the influence of power-supply sag, all add up to the boggy and dirty nature of this tremolo circuit. Get To The Chopper. The ’65 Photocell Tremolo is a faithful recreation of the classic photo-trem circuits found in mid-1960s American amplifiers. Those classic circuits used a light-dependent resistor (LDR) to attenuate the input signal, coupled with a miniature neon bulb that is connected to the LFO. As the LFO oscillates, the bulb gets brighter and dimmer which in turn varies the resistance of the LDR. The varying resistance works with other circuit impedances to change the signal level, which produces a characteristically “hard” sounding tremolo that moves between two levels, reminiscent of a square wave. Sixties Surf. The ’60s Spring Tank Reverb is our faithful recreation of the full-size two-spring tank that was commonly used in vintage amps. The two-spring tank uses spring segments of differing delay times, which adds to the complexity of the reverberated sound. Contributing greatly to the sound are the input and output tube circuits which convert the electrical guitar signal into a mechanical signal and then back to an electrical signal. Sound Of The Seventies. The ’70s Electronic Plate Reverb pays homage to one of the earliest digital reverbs ever created. The astounding hardware-based algorithm used multiple delay-lines configured in parallel, with each delay featuring multiple output taps and filtered feedback paths. The result is a rich, smooth reverb with a very quick build-up in density due to the summation of the many parallel output taps. Totally Eighties. The ’80s Hall Rack Reverb is our rendition of the now-nostalgic digital microprocessor rack reverbs from the late ’80s. The limited processing power of the day led to the implementation of efficient regenerative series loops of all-pass filters, delays, and low-pass filters. Modulating delay lines were used to increase the reverb density and add warmth. This reverb provides the signature sound of distinctive early reflections followed by the slowly-building density of the late reverberation. Switch Things Up. Want to run your reverb intro tremolo like your favorite vintage tube amps did? Or do you prefer modulation before reverb for a cleaner, modern tone? Flint gives you options for both with an Effect Order secondary function that lets you choose exactly how you want your reverb and tremolo routed for ultimate tonal control. This setting is accessible as a Live Edit secondary function and is savable per-preset. Add Some Space. Pre-Delay controls the delay time before the reverberated signal appears, and is now accessible as a Live Edit secondary function, savable per-preset. Limitless Possibilities. The new generation of Flint features full MIDI implementation, allowing you to control just about every switch, knob, and setting remotely by sending MIDI commands from your controller or DAW via Flint’s EXP/MIDI jack or USB-C connection. Tremolo speed can be synchronized via MIDI Clock Sync, and the sync setting can be saved for each preset. 300 MIDI preset locations are available for loading and saving your favorite settings. Remotely bypass or engage the pedal, sync tremolo speed changes along with your tracks, automate knob adjustments, recall unique presets for each song on your setlist — the possibilities with MIDI are limitless. Analog Touch. Uncompromised dynamics and feel. Exceptional touch sensitivity and responsiveness. Flint feels just as good as it sounds, thanks to a high impedance ultra-low noise discrete Class A JFET preamp input. Choose Your Bypass Mode. Flint lets you choose electromechanical relay switched true bypass for a 100% untouched, unprocessed signal when the pedal is bypassed (this is the default setting), or you can opt for our premium quality buffered bypass that conditions your signal to preserve its integrity by preventing the high end roll-off that can happen due to longer cable runs. Moving In Stereo. No need to make compromises when it comes to signal routing or pedal placement — Flint features full stereo in/out capabilities. A single TRS input jack allows Flint to keep its compact form factor while giving you the option to use a stereo input signal. A dedicated rear panel Input switch allows you to easily set Flint for operation with a stereo (TRS) or mono (standard TS) input source. Low impedance dual TS output jacks let you use Flint as a stereo effect. On Another Level. Pedals aren’t just for guitarists. Flint’s adjustable input signal level makes it a versatile tool for endless applications from the studio to the stage. By setting Flint to line level input mode, you get 10dB of added headroom, allowing you to use Flint with bass guitars with active pickups, synthesizers, keyboards, effects loops, and more. Power To The Pedal. Significant developments in mobile phones and computers have led to an evolution in technology that now allows our pedals to perform more simultaneous processes with less power draw than ever before. That means more processing power for every sonic nuance with less power consumption on your pedal board. Turn Up The Volume. We all need a lift every once in a while. Flint features two dedicated +/-3dB boost/cut secondary functions, one for each side of Flint. This lets you add a little extra “oomph” when needed, or to dial things back a bit. The tremolo boost/cut ensures you can get the level you want with any tremolo depth and speed settings. The reverb boost/cut is useful for setting a solo boost when engaging the verb, or reducing level when using huge ambient pads. Ins, Outs, and Switches High impedance ultra low-noise discrete Class A JFET TRS stereo input. Low impedance independent TS stereo outputs. Expression pedal input allows the connection of a TRS expression pedal, MiniSwitch, MultiSwitch Plus, or TRS MIDI connection. USB jack for controlling via MIDI from a computer or for performing firmware updates. Dedicated Reverb On/Off & Tremolo On/Off footswitches Audio Quality Premium JFET analog front end Ultra low noise, high performance 24-bit 96kHz A/D and D/A converters provide uncompromising audio quality 520MHz ARM Superscalar processor 32-bit floating point processing 20Hz to 20kHz frequency response Audio Input Impedance: 1M Ohm Audio Output Impedance: 100 Ohm Other Strong and lightweight anodized black aluminum chassis 9V DC power supply included Power requirements: maximum 9 volts DC center-negative, with a minimum of 300mA of current Dimensions: 4.5” deep x 4” wide x 1.75” tall 11.4 cm deep x 10.2 cm wide x 4.4 cm tall Designed and built in the USA About Bananas at Large® Since 1974 Bananas At Large has specialized in equipment that is used in the production of music, audio and video. Starting from our origins, we're a complete Fretted Instrument Shop, with a wide selection of electric guitars and basses, acoustic guitars, banjos, resonators, mandolins and more. We're also noted as one of the leading outlets for Keyboard and Recording equipment on the West Coast, with nearly every major product line represented (and quite a few esoteric ones as well.) We've established a fully-stocked Drum and Percussion department. Our retail store also offers instruments and audio equipment on consignment, along with a full Rental Department for sound systems, amps, keyboards and related gear.Shipping Policy Ensure Secure Deliveries with Signature Confirmation: Want more security? Request Signature Required for your order. This service is available upon request. We apply Signature Required on all orders over $200. Please submit in writing if for any reason you do not want this additional service. Notes: - Service available upon request. - Signature Required applied to all orders over $200. - Limited availability to APO/FPO/DPO locations and certain Freely Associated States. - Use with any service except Standard Mail® and Adult Signature Services. Tubes: Bananas does not warranty tubes in transit. We offer tube removal and individual bubble wrap service for $45 per customer request (for standard amps, more complex amps that take more time may be a higher fee). Customers buying any tube product and having it shipped should understand and realize that Bananas cannot be responsible for damaged tubes from transit. This applies to all new and used products. Certain manufactures offer a tube warranty on their new products as a courtesy, and that is available thru the manufacturer warranty process for all new products where it applies. Return Policy New Items: Returnable within 30-days of delivery. Used, Vintage & Sale Items: No returns. General Terms: Items must be returned in original, as-shipped condition with all original packaging and no signs of use. Buyer assumes responsibility for all return shipping costs unless the item was not received as described.Special Conditions Bananas Sales and 30-Day Return Policies: In order to return a product, request a Return Authorization Number (RA Number). Return and Customer Satisfaction Policy: Any item (other than as noted below) purchased from Bananas at Large may be returned, within 30-days of the delivery date, for a full refund of the purchase price minus the original shipping costs, or for exchange or credit. Note: Some items are 'sold as is' and 'all sales final'. Please see the product description for additional information. Used & Vintage Items: No returns.Rather than make you click elsewhere for the 'small print', here it is in not-so-small print: The following items may not be returned: Consumable items such as (but not limited to) strings, picks, drum sticks, drum heads, phono cartridges and replacement speakers. Any item that is worn on the body or is blown into, such as (but not limited to) earplugs, wind controllers or harmonicas Computer software, items that can be copied and copyrighted material such as (but not limited to) books, videos and CD's Installed items such as (but not limited to) guitar pickups, drum heads, headphone parts and other installed parts If you agree to back order or special order a product, you agree that order may not be canceled unless approved by Bananas. Special orders already in transit either from the manufacturer or Bananas cannot be canceled. Special order items may be returned if defective for exchange. You will be notified what items qualify as special order status. An Item is considered new if it has not been sold previously, has not been out of the store on loan, shows no signs of wear and tear. We open and inspect almost every instrument that comes through our doors. Often original packaging may not be reused. Just because an item is not shipped in original packaging does not mean it is used. If you are concerned and only want sealed units, please contact us before buying. Other Things You Need to Know about Returns: Shipping and/or handling charges are not refundable. It is your responsibility to pay return shipping and to fully insure the unit(s) you are returning. Also, it is your responsibility to cover shipping charges for sending the item to you. If you are quoted free shipping and return the item, you will be required to cover the actual shipping costs incurred by your order. Items that are returned must be in the original packaging, with all accessories and paperwork included in the original shipment, such as owner's manual(s) and warranty card. Items must be free from signs of use or wear, and both warranty card and manual(s) must not have any writing in them. If your order was shipped to you in outer packaging it must be returned in that packaging as well as the inner box or boxes. Returned items that do not arrive in the condition described above are subject to a $25 repackaging charge, plus the cost of replacing missing, soiled, worn or marked-on items. Obvious signs of use that reduce the value of a returned unit will be subject to additional charges based on how much we need to mark down the unit to make it sellable. About Shipping and Delivery: We utilize legitimate bonded and licensed shipping carriers only (UPS, Fed Ex, USPS etc). We are not the shipping company and therefore cannot be held responsible for faults that lay with the shipping company. By placing orders with us you agree to be present to receive packages sent to you. Bananas cannot be held responsible for lost packages once they are logged as delivered by the shipping company. Once a package is logged as delivered by the shipping company the customer is responsible for any issues related to the delivery of the package at that point. How Refunds are Processed: Charges made to a credit card will be refunded, less freight, handling and any reconditioning charges, to the same credit card. Payments made by check will be refunded with a check, after sufficient time has passed for your original check to completely clear through the banking system. Note: All returns and refunds are at the discretion of Bananas at Large management. Damaged, obviously used items or abuse of the return privileges may be grounds for a refusal of refunds or returns. We will not facilitate free rentals via our return policy. Prices and Specifications are Subject to Change: Bananas at Large always strives for accuracy in the information and pricing we present. However, we are not responsible for typographical errors, incorrect specifications furnished by manufacturers, or for price changes. Prices are subject to change without notice. Packaging and Shipping Information:Due to conditions beyond our control (weather, shipper's handling etc.) some boxes that products originally come in cannot be re-used to ship out to customers. In those rare cases we will remove and inspect all items and repackage them in acceptable boxing to make it safe to you. All items are still considered brand new, under full warranty and fall under our same guarantees. Note: Bananas recycles unused boxes when possible Listing and template services provided by inkFrog

Price: 349 USD

Location: San Rafael, California

End Time: 2023-11-22T15:32:57.000Z

Shipping Cost: 0 USD