STUDY IN JAPANESE HEADS - CHARLES GILLOT- 1902 French-Japanese Art Print

Description: Method of payment A STUDY IN JAPANESE HEADS - CHARLES GILLOT - Japanese Print 1902, Paris Japanese Cultural Print Type of Print Printing Year 1902 (possible as early as 1885) See Notes Below Artist - Engraver - Publisher Charles Gillot Print Size (Approx) 8.5 inches X 12 inches Paper weight/type Thin - Medium - Heavy - Other !!See Note below Reverse side Blank - Related text/pictures - Unrelated text/pictures Condition Excellent - Very Good - Good - Fair - Poor (but of historical interest) Notes Published in Paris Description Toning; edge cuts; corner bumps; but center image is sound; paper requires careful handling BUT a remarkable piece of history Very Rare - Unfortunately, the fantastic prints from this series are printed on poor quality paper used at the turn of the century. This means that that must be carefully handled. Of course, this very problem is what has made these prints very scarce. Matting this print will give it excellent protection, overcoming this problem. This Is An Original Print from History-On-Paper HISTORICAL INFORMATION: From: Documents Japonais; similar to content of Estampes japonaises et livres illustrés - A Collection of objects of art, flowers, landscapes, vases bronzes, animals, fabric designs, motifs, etc. NOTE!!! An identical complete folio of 178 prints of which this print was included was sold (as part of a small book lot) at Christies in 2002 for $4500. This is a rarely offered print. In 1850, Charles Gillot's father, Firmin Gillot (1819-1872), revolutionized the bookmaking industry by inventing ‘paniconography’, also called gillotage, a process allowing the simultaneous printing of text and image. On his father’s death, Charles Gillot took over the family engraving business in the Faubourg Saint Martin, and subsequently made significant improvements to his father¹s invention by incorporating the photographic discoveries of Daguerre and Niepce. His work won awards at all the Great Exhibitions and earned him appointment as a Knight of the Order of the French Legion of Honor in 1886. ADDITIONAL INFORMATION: Clarles Gillot (1853-1903) French printer; an inventor and avid collector of ancient and medieval works of art. His father, Firmin Gillot, invented “gillotage” a type of relief photoengraving that revolutionized book publishing; allowing simultaneous printing of text and images. Like father like son, Charles later made technical improvements upon this process, while concurrently amassing an immense amount of important art works. Art prints depicting Gillot’s collections were published as portfolios in Paris, titled: “Documents Japonais (Japanese Documents).” Prints were both monochrome (single color, including B/W) and in beautiful delicate pastel colors. Several editions were published varying in the number of prints included. The portfolios were usually tied with three strings. Artists represented include Hiroshige, Kiyomitsu, Hokusai, Otamaro, Harunobo, Koryusai, Masayoshi, etc. Gillot, as an engraver and typographer created in 1876 the first laboratory of fotogravure open in France and he patents a method of incision called "Gillotipie", improving the method invented by his father Firmin Gillot, engraver. “Gillotipie” or “Zincographie” consists in the reproduction in relief on plates of zinc or copper, through a chemical procedure, of writings, sketches or photos so that to get matrixes for the press. This technique has been called “Gillotipie” in his honor. Charles Gillot was a great collector and expert of the oriental art and particularly of Japanese one. The prints produced for "Documents Japonais", are a harvest devoted to the art and the culture of Japan have been published in Paris around 1885 to the early 1900sby Charles Gillot and Samuel Bing with the purpose to introduce the Japanese arts and culture in all Europe. The numerous ancient prints of the series represent objects of art, flowers, landscapes, vases and bronzes, ceramics, studies of animals, cloths, enamels, scenes of insides and other decorative motives. While rarely offered outside of auction houses, the fantastic prints from this series unfortunately are printed on poor quality paper used at the turn of the century. This means that that must be carefully handled. Of course, this very problem is what has made these prints very scarce. Matting this print will give it excellent protection, overcoming this problem. Normal 0 false false false EN-US X-NONE X-NONE CONDITION Please INSPECT PHOTO. Enlarged for viewing. IMAGE NOTE: The picture may introduce some very weird artifacts not in the actual print for sale. . Please inquire if you have a question. NOTES: This is an original print, not a reproduction. PLEASE CHECK OUT MY OTHER AUCTIONS/EBAY STORE ITEMS PRESS HERE TO VISIT MY STORE The Fine Print U.S. residents responsible for state sales tax. International buyers are responsible for all import fees and taxes. Please inquire about P/H costs if not stated. Shipping costs: My shipping costs are calculated on three factors - getting your item to you as quickly as possible, as cost effectively as possible, and as safely as possible. I pride myself in providing optimal protection. I use First Class or Priority Mail on most small items; Parcel Post on larger items; and Media Mail on books and magazines. You may request expedited shipment if you are willing to pay costs. P/H is combined on multiple prints mailed at the same time. Please make your purchases from my auctions or store. I will send a combined invoice reflecting your savings. The Nature of Prints & Engravings: It was not until the 20th century that prints were commonly produced for the print itself. Prior to this, virtually all prints (and engravings) were produced as illustrations to be included in a manuscript, book, newspaper, or pamphlet. Therefore, a vast majority of original prints have been over the years removed from these original sources. Prints are produced using many different techniques: relief printing (woodcut & wood engraving), intaglio printing (steel & copper plate engraving, drypoint, aquatint, etc), and planographic printing (lithography, serigraphy, inkjet, laser, etc.). While the commercial value of a print depends on such factors as age, rarity, and condition, the real value of a print is its tie to its history and/or its esthetic beauty. History-On-Paper Contact me at if you are looking for prints of a specific topic. Item #1208-1014U also 422 Chest

Price: 25 USD

Location: Enterprise, Alabama

End Time: 2024-02-24T19:57:25.000Z

Shipping Cost: 3.35 USD